From practice to theory: manifestos and artistic expression

<p>In this essay, we shall study the aesthetic manifesto as an element frequently used by the Latin American plastic and literary artists during the 1920s and 1940s, and which later influenced the theoretical proposals of the filmmakers who shaped the New Latin American Cinema. We will analyze...

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Main Author: Silvana Flores
Format: Article
Language:English
Published: Associação de Investigadores da Imagem em Movimento 2016-02-01
Series:Aniki: Revista Portuguesa da Imagem em Movimento
Subjects:
Online Access:http://aim.org.pt/ojs/index.php/revista/article/view/187
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author Silvana Flores
author_facet Silvana Flores
author_sort Silvana Flores
collection DOAJ
description <p>In this essay, we shall study the aesthetic manifesto as an element frequently used by the Latin American plastic and literary artists during the 1920s and 1940s, and which later influenced the theoretical proposals of the filmmakers who shaped the New Latin American Cinema. We will analyze the uses and practices of this type of texts and their historical development, as well as their political implications over time. We will understand manifestos as a bridge between the different historical periods that marked the development of the arts in Latin America, in literature, in painting, and in cinema.</p>
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spelling doaj.art-d43f770a80f544c5ad7a7034175d717a2022-12-22T01:14:01ZengAssociação de Investigadores da Imagem em MovimentoAniki: Revista Portuguesa da Imagem em Movimento2183-17502016-02-0131213510.14591/aniki.v3n1.18787From practice to theory: manifestos and artistic expressionSilvana Flores0Universidad de Buenos Aires, Facultad de Filosofía y Letras, Centro de Investigación y Nuevos Estudios sobre cine, C.P.1002, Buenos Aires<p>In this essay, we shall study the aesthetic manifesto as an element frequently used by the Latin American plastic and literary artists during the 1920s and 1940s, and which later influenced the theoretical proposals of the filmmakers who shaped the New Latin American Cinema. We will analyze the uses and practices of this type of texts and their historical development, as well as their political implications over time. We will understand manifestos as a bridge between the different historical periods that marked the development of the arts in Latin America, in literature, in painting, and in cinema.</p>http://aim.org.pt/ojs/index.php/revista/article/view/187manifestopinturaliteraturacinemaAmérica Latina
spellingShingle Silvana Flores
From practice to theory: manifestos and artistic expression
Aniki: Revista Portuguesa da Imagem em Movimento
manifesto
pintura
literatura
cinema
América Latina
title From practice to theory: manifestos and artistic expression
title_full From practice to theory: manifestos and artistic expression
title_fullStr From practice to theory: manifestos and artistic expression
title_full_unstemmed From practice to theory: manifestos and artistic expression
title_short From practice to theory: manifestos and artistic expression
title_sort from practice to theory manifestos and artistic expression
topic manifesto
pintura
literatura
cinema
América Latina
url http://aim.org.pt/ojs/index.php/revista/article/view/187
work_keys_str_mv AT silvanaflores frompracticetotheorymanifestosandartisticexpression