| Summary: | The objective of this article is to present an overview of the changes in Brazilian science fiction throughout the past decades, which culminated in the international and national success of the film <i>Bacurau</i> and the emergence of the new subgenres amazofuturismo and sertãopunk in continuation of Causo’s tupinipunk. These subgenres are bringing to the plate topics such as nationalism, decolonization, racism, social justice, and globalization, while using pop formulas and, thus, engaging an audience that is finding in those titles an opportunity to address the current political scenario. This paper suggests that <i>Bacurau</i>, amazofuturismo, and sertãopunk are new manifestations that are paving the way for contemporary Brazilian artists, who are seeking to overcome what Rodrigues’ called “the mongrel complex”, by updating certain proposals already made by tupinipunk in the 1990s. As the country celebrates the 100th anniversary of the Modern Art Week, this article proposes that contemporary Brazilian science fiction is echoing contemporary humanities agenda topics, such as decoloniality and politics of recognition, in response to the past four years of Jair Bolsonaro’s government.
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