A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitation

Recent findings have shown that people with higher musical aptitude were also better in oral language imitation tasks. However, whether singing capacity and instrument playing contribute differently to the imitation of speech has been ignored so far. Research has just recently started to understand...

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Main Authors: Markus eChristiner, Susanne Maria Reiterer
Format: Article
Language:English
Published: Frontiers Media S.A. 2015-08-01
Series:Frontiers in Human Neuroscience
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fnhum.2015.00482/full
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author Markus eChristiner
Susanne Maria Reiterer
Susanne Maria Reiterer
author_facet Markus eChristiner
Susanne Maria Reiterer
Susanne Maria Reiterer
author_sort Markus eChristiner
collection DOAJ
description Recent findings have shown that people with higher musical aptitude were also better in oral language imitation tasks. However, whether singing capacity and instrument playing contribute differently to the imitation of speech has been ignored so far. Research has just recently started to understand that instrumentalists develop quite distinct skills when compared to vocalists. In the same vein the role of the vocal motor system in language acquisition processes has poorly been investigated as most investigations (neurobiological and behavioral) favor to examine speech perception. We set out to test whether the vocal motor system can influence an ability to learn, produce and perceive new languages by contrasting instrumentalists and vocalists. Therefore, we investigated 96 participants, twenty-seven instrumentalists, thirty-three vocalists and thirty-six non-musicians/non-singers. They were tested for their abilities to imitate foreign speech: unknown language (Hindi), second language (English) and their musical aptitude. Results revealed that both instrumentalists and vocalists have a higher ability to imitate unintelligible speech and foreign accents than non-musicians/non-singers. Within the musician group, vocalists outperformed instrumentalists significantly. Conclusion: first, adaptive plasticity for speech imitation is not reliant on audition alone but also on vocal-motor induced processes. Second, vocal flexibility of singers goes together with higher speech imitation aptitude. Third, vocal motor training, as of singers, may speed up foreign language acquisition processes.
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spelling doaj.art-d478d5e14878426c94a5ddf37c6fddaa2022-12-21T20:48:33ZengFrontiers Media S.A.Frontiers in Human Neuroscience1662-51612015-08-01910.3389/fnhum.2015.00482153925A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitationMarkus eChristiner0Susanne Maria Reiterer1Susanne Maria Reiterer2University of ViennaUniversity of ViennaUniversity of ViennaRecent findings have shown that people with higher musical aptitude were also better in oral language imitation tasks. However, whether singing capacity and instrument playing contribute differently to the imitation of speech has been ignored so far. Research has just recently started to understand that instrumentalists develop quite distinct skills when compared to vocalists. In the same vein the role of the vocal motor system in language acquisition processes has poorly been investigated as most investigations (neurobiological and behavioral) favor to examine speech perception. We set out to test whether the vocal motor system can influence an ability to learn, produce and perceive new languages by contrasting instrumentalists and vocalists. Therefore, we investigated 96 participants, twenty-seven instrumentalists, thirty-three vocalists and thirty-six non-musicians/non-singers. They were tested for their abilities to imitate foreign speech: unknown language (Hindi), second language (English) and their musical aptitude. Results revealed that both instrumentalists and vocalists have a higher ability to imitate unintelligible speech and foreign accents than non-musicians/non-singers. Within the musician group, vocalists outperformed instrumentalists significantly. Conclusion: first, adaptive plasticity for speech imitation is not reliant on audition alone but also on vocal-motor induced processes. Second, vocal flexibility of singers goes together with higher speech imitation aptitude. Third, vocal motor training, as of singers, may speed up foreign language acquisition processes.http://journal.frontiersin.org/Journal/10.3389/fnhum.2015.00482/fullMemorysecond language learninglanguage aptitudemusicalitySpeech imitationvocal flexibility
spellingShingle Markus eChristiner
Susanne Maria Reiterer
Susanne Maria Reiterer
A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitation
Frontiers in Human Neuroscience
Memory
second language learning
language aptitude
musicality
Speech imitation
vocal flexibility
title A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitation
title_full A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitation
title_fullStr A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitation
title_full_unstemmed A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitation
title_short A Mozart is not a Pavarotti: singers outperform instrumentalists on foreign accent imitation
title_sort mozart is not a pavarotti singers outperform instrumentalists on foreign accent imitation
topic Memory
second language learning
language aptitude
musicality
Speech imitation
vocal flexibility
url http://journal.frontiersin.org/Journal/10.3389/fnhum.2015.00482/full
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