Staging LGBTQ Protest in the United States: Exploring the Politics of Theatricality

This paper considers the physical, verbal, and visual aspects of how LGBTQ protest and rebellion are and have been staged in the United States. It examines whether “staging” should be taken literally or figuratively, and explores the interactions between performers and audiences, whether the perform...

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Main Author: Guillaume Marche
Format: Article
Language:English
Published: Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine 2023-03-01
Series:L'Ordinaire des Amériques
Subjects:
Online Access:https://journals.openedition.org/orda/9095
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author Guillaume Marche
author_facet Guillaume Marche
author_sort Guillaume Marche
collection DOAJ
description This paper considers the physical, verbal, and visual aspects of how LGBTQ protest and rebellion are and have been staged in the United States. It examines whether “staging” should be taken literally or figuratively, and explores the interactions between performers and audiences, whether the performance is explicit or subtle, possibly involuntary. A heuristic angle is that of audiences and stages: just as staging should be addressed differently depending on whether the audience is internal or external to the LGBTQ community, audiences are not inherently internal or external, but the boundary may fluctuate. Likewise, the stages on which LGBTQ protest is performed are not given or fixed, but contingent on larger social, political, cultural, and economic factors. The article examines examples that are illustrative and telling of the ways in which LGBTQ protest and rebellion may take on a theatrical form, or the staging itself may endow some practices with a degree of politicity.
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spelling doaj.art-d4919dd4b27d4b4e8f51a410ba364bb12024-02-14T14:56:49ZengInstitut Pluridisciplinaire pour les Etudes sur l'Amérique LatineL'Ordinaire des Amériques2273-00952023-03-0123010.4000/orda.9095Staging LGBTQ Protest in the United States: Exploring the Politics of TheatricalityGuillaume MarcheThis paper considers the physical, verbal, and visual aspects of how LGBTQ protest and rebellion are and have been staged in the United States. It examines whether “staging” should be taken literally or figuratively, and explores the interactions between performers and audiences, whether the performance is explicit or subtle, possibly involuntary. A heuristic angle is that of audiences and stages: just as staging should be addressed differently depending on whether the audience is internal or external to the LGBTQ community, audiences are not inherently internal or external, but the boundary may fluctuate. Likewise, the stages on which LGBTQ protest is performed are not given or fixed, but contingent on larger social, political, cultural, and economic factors. The article examines examples that are illustrative and telling of the ways in which LGBTQ protest and rebellion may take on a theatrical form, or the staging itself may endow some practices with a degree of politicity.https://journals.openedition.org/orda/9095queer theatricalityPride marchescommodificationcampunserious seriousness
spellingShingle Guillaume Marche
Staging LGBTQ Protest in the United States: Exploring the Politics of Theatricality
L'Ordinaire des Amériques
queer theatricality
Pride marches
commodification
camp
unserious seriousness
title Staging LGBTQ Protest in the United States: Exploring the Politics of Theatricality
title_full Staging LGBTQ Protest in the United States: Exploring the Politics of Theatricality
title_fullStr Staging LGBTQ Protest in the United States: Exploring the Politics of Theatricality
title_full_unstemmed Staging LGBTQ Protest in the United States: Exploring the Politics of Theatricality
title_short Staging LGBTQ Protest in the United States: Exploring the Politics of Theatricality
title_sort staging lgbtq protest in the united states exploring the politics of theatricality
topic queer theatricality
Pride marches
commodification
camp
unserious seriousness
url https://journals.openedition.org/orda/9095
work_keys_str_mv AT guillaumemarche staginglgbtqprotestintheunitedstatesexploringthepoliticsoftheatricality