Barnlitteraturforskningens arkeologi

Criticism of children’s literature is not, although it too often may seem so, a phenomenon of the later half of the 20th century. The contradiction between didactics and aesthetics, for many established as an axiom in modern children’s literature research, has been contra productive when it comes to...

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Main Author: Boel Westin
Format: Article
Language:Danish
Published: Svenska Barnboksinstitutet 2012-05-01
Series:Barnboken: Tidskrift för Barnlitteraturforskning
Subjects:
Online Access:https://www.barnboken.net/index.php/clr/article/view/24
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author_facet Boel Westin
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description Criticism of children’s literature is not, although it too often may seem so, a phenomenon of the later half of the 20th century. The contradiction between didactics and aesthetics, for many established as an axiom in modern children’s literature research, has been contra productive when it comes to differences between older and modern literature. While older has become representative for the didactic, the simple and the single-minded, modern has become representative for the aesthetic, the complex and the multifold (the ambiguous). Beginning with an analysis of the very early research in the field of children’s literature, the article points at several inconsistencies in the principles of later research. A presentation of international studies of importance for later surveys and historical works, among them the American scholar William Sloane and his comparative studies of children’s literature in the 17th and 20th centuries, is conducted in order to contextualise links between different kind of historical perspectives on literature, art and childhood. The bottom-line is what primarily counts in the history of research. Paradigms in some works easily get the status of established truths and are passed on without discussion, while others simply vanish from the bibliographies without comments. On basis of an extensive material of texts, theories and pictures (comparisons with pictorial art are taken in) the article analyses from a constructional perspective long lived assumptions and paradigms and argues for a new methodology – the archaeology of children’s literature research - that includes both the research itself and the researcher. Examples from recent research (Penny Brown, Beverly Lyon Clark, Marah Gubar) clearly show that contextualising literature within history, criticism and debate may result in new and corrective approaches. Motifs, passions and goals of the researcher are all part of the research. Self-reflection is the central keyword. Keywords: criticism of children’s literature, history of children’s literature, childhood, didactics, aesthetics, research, paradigm, context, self-reflection.
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spelling doaj.art-d4ecadf965004165becf79045dcbfbf12022-12-22T03:21:49ZdanSvenska BarnboksinstitutetBarnboken: Tidskrift för Barnlitteraturforskning0347-772X2000-43892012-05-0134110.14811/clr.v34i1.24Barnlitteraturforskningens arkeologiBoel WestinCriticism of children’s literature is not, although it too often may seem so, a phenomenon of the later half of the 20th century. The contradiction between didactics and aesthetics, for many established as an axiom in modern children’s literature research, has been contra productive when it comes to differences between older and modern literature. While older has become representative for the didactic, the simple and the single-minded, modern has become representative for the aesthetic, the complex and the multifold (the ambiguous). Beginning with an analysis of the very early research in the field of children’s literature, the article points at several inconsistencies in the principles of later research. A presentation of international studies of importance for later surveys and historical works, among them the American scholar William Sloane and his comparative studies of children’s literature in the 17th and 20th centuries, is conducted in order to contextualise links between different kind of historical perspectives on literature, art and childhood. The bottom-line is what primarily counts in the history of research. Paradigms in some works easily get the status of established truths and are passed on without discussion, while others simply vanish from the bibliographies without comments. On basis of an extensive material of texts, theories and pictures (comparisons with pictorial art are taken in) the article analyses from a constructional perspective long lived assumptions and paradigms and argues for a new methodology – the archaeology of children’s literature research - that includes both the research itself and the researcher. Examples from recent research (Penny Brown, Beverly Lyon Clark, Marah Gubar) clearly show that contextualising literature within history, criticism and debate may result in new and corrective approaches. Motifs, passions and goals of the researcher are all part of the research. Self-reflection is the central keyword. Keywords: criticism of children’s literature, history of children’s literature, childhood, didactics, aesthetics, research, paradigm, context, self-reflection.https://www.barnboken.net/index.php/clr/article/view/24criticism of children’s literaturehistory of children’s literaturechildhooddidacticsaestheticsresearch
spellingShingle Boel Westin
Barnlitteraturforskningens arkeologi
Barnboken: Tidskrift för Barnlitteraturforskning
criticism of children’s literature
history of children’s literature
childhood
didactics
aesthetics
research
title Barnlitteraturforskningens arkeologi
title_full Barnlitteraturforskningens arkeologi
title_fullStr Barnlitteraturforskningens arkeologi
title_full_unstemmed Barnlitteraturforskningens arkeologi
title_short Barnlitteraturforskningens arkeologi
title_sort barnlitteraturforskningens arkeologi
topic criticism of children’s literature
history of children’s literature
childhood
didactics
aesthetics
research
url https://www.barnboken.net/index.php/clr/article/view/24
work_keys_str_mv AT boelwestin barnlitteraturforskningensarkeologi