Arrêt sur image et premier plan absolu dans les poèmes homériques de Michael Longley
This article aims at analysing the ways in which Michael Longley, in his poems inspired from the Odyssey, freeze frames the Homeric narrative and replaces it with a present out of time, extracted from the epic sweep. By frequently choosing scenes of recognition, as in the poems “Anticleia”, “Eurycle...
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| Médium: | Článek |
| Jazyk: | English |
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Presses universitaires de Rennes
2014-06-01
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| Edice: | Revue LISA |
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| On-line přístup: | https://journals.openedition.org/lisa/6001 |