Exit Theory: Thinking Photography and Thinking History from One Crisis to Another
The 1970s in Britain were a period of conflict and upheaval, now seen as marking the end of a long period of economic expansion and the break-up of the postwar social democratic consensus. For many who lived through them, however, these years seemed less of an ending than an opening to new social po...
Main Authors: | John Tagg, Geoffrey Batchen, Siona Wilson, Dengyan Zhou, Elizabeth Edwards, Jordan Bear, Vered Maimon, Stephen Sheehi, Jonathan Long, David Campany, Shawn Michelle Smith, Young-June Lee, Laura Wexler |
---|---|
Format: | Article |
Language: | English |
Published: |
Yale University
2016-11-01
|
Series: | British Art Studies |
Subjects: | |
Online Access: | http://britishartstudies.ac.uk/issues/issue-index/issue-4/exit-theory-photography |
Similar Items
-
Photography and the Imperial Propaganda: Egypt under Gaze
by: Fatima Zohra HAMRAT
Published: (2021-12-01) -
New British Fashion Photography: Going Against the Conventionally Beautiful
by: Julie Morère
Published: (2015-12-01) -
Fashion Photography and Festival Culture: What Glastonbury’s Space Does to the Imagination
by: Julie Morère
Published: (2014-12-01) -
Photography/
by: 388438 Edwards, Mark
Published: (1977) -
American photography 6 /
by: Booth-Clibborn, Edwards
Published: (1990)