Les enjeux sémiotiques de la perception dans L’Étranger d’Albert Camus
Considered as a romantic incarnation of author’s ideas, L’Etranger put us in front of the absurd through the problematic charac- ter of Meursault, often studied and com- mented as subject of this philosophical attitude. The absurd presupposes a relation- ship between man and the world and is thus...
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| Format: | Article |
| Language: | Spanish |
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Asociación de Francesistas de la Universidad Española (AFUE)
2016-04-01
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| Series: | Çédille: Revista de Estudios Franceses |
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| Online Access: | https://cedille.webs.ull.es/12/07georges.pdf |
| Summary: | Considered as a romantic incarnation of author’s ideas, L’Etranger put us in front of the absurd through the problematic charac- ter of Meursault, often studied and com- mented as subject of this philosophical attitude. The absurd presupposes a relation- ship between man and the world and is thus inevitably linked to perception: a sen- sory experience then founds the discourse of the novel, establishing Meursault as percipi- ent/enunciator subject. We will use the resources offered by semiotics of discourse in its phenomenological version for analyz- ing the perceptual path of Meursault and especially to consider the question of Ca- mus’s absurd under a new light. |
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| ISSN: | 1699-4949 1699-4949 |