Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6

Photography was a key medium for creating, spreading, and cementing myths about the Cuban Revolution and its leaders. In the first part of this essay, I’ll explore several iconic images as well as responses to these pictures, all parts of a Cuban “cross-national memory discourse” (cf. Quiroga, 2005)...

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Main Author: Louisa Söllner
Format: Article
Language:English
Published: MI-AN Publishing 2014-11-01
Series:Kultura (Skopje)
Subjects:
Online Access:http://journals.cultcenter.net/index.php/culture/article/view/76
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author Louisa Söllner
author_facet Louisa Söllner
author_sort Louisa Söllner
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description Photography was a key medium for creating, spreading, and cementing myths about the Cuban Revolution and its leaders. In the first part of this essay, I’ll explore several iconic images as well as responses to these pictures, all parts of a Cuban “cross-national memory discourse” (cf. Quiroga, 2005). Walter Benjamin’s media philosophy can help in developing insights about the functioning of these photographs. In the second part of the paper, I turn to Tania Bruguera’s piece <em>Tatlin</em><em>’s Whisper#6</em> (staged at the 10<sup>th</sup> Havana Biennial in 2009), which radically rewrites the poetics of the images and aspires to create a sense of participation and direct involvement.
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spelling doaj.art-d5351b5a57c142c2a9990e32c572ea382022-12-21T17:59:42ZengMI-AN PublishingKultura (Skopje)1857-77171857-77252014-11-0134596476Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6Louisa Söllner0LMU Munich, GermanyPhotography was a key medium for creating, spreading, and cementing myths about the Cuban Revolution and its leaders. In the first part of this essay, I’ll explore several iconic images as well as responses to these pictures, all parts of a Cuban “cross-national memory discourse” (cf. Quiroga, 2005). Walter Benjamin’s media philosophy can help in developing insights about the functioning of these photographs. In the second part of the paper, I turn to Tania Bruguera’s piece <em>Tatlin</em><em>’s Whisper#6</em> (staged at the 10<sup>th</sup> Havana Biennial in 2009), which radically rewrites the poetics of the images and aspires to create a sense of participation and direct involvement.http://journals.cultcenter.net/index.php/culture/article/view/76Photography, Memory Mediation, Diaspora, Performance Art, Walter Benjamin
spellingShingle Louisa Söllner
Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6
Kultura (Skopje)
Photography, Memory Mediation, Diaspora, Performance Art, Walter Benjamin
title Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6
title_full Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6
title_fullStr Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6
title_full_unstemmed Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6
title_short Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6
title_sort rewriting revolutionary myths photography in castro s cuba and tania bruguera s tatlin s whisper 6
topic Photography, Memory Mediation, Diaspora, Performance Art, Walter Benjamin
url http://journals.cultcenter.net/index.php/culture/article/view/76
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