On Wines as Works of Art

It is a fact that wine tasting can at times take the form of an aesthetic experience and that many wines can be regarded as proper aesthetic objects. Can we consider wines works of art, then? This is the question I explore in this essay. I have reservations towards a positive answer to the question,...

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Main Author: Gabriele Tomasi
Format: Article
Language:English
Published: Rosenberg & Sellier 2012-10-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/1406
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author Gabriele Tomasi
author_facet Gabriele Tomasi
author_sort Gabriele Tomasi
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description It is a fact that wine tasting can at times take the form of an aesthetic experience and that many wines can be regarded as proper aesthetic objects. Can we consider wines works of art, then? This is the question I explore in this essay. I have reservations towards a positive answer to the question, but I think their nature is psychological or cultural, rather than theoretical. From a theoretical point of view we probably have sufficient reasons to claim that high quality wines are artworks: in this essay I try to lay out those reasons. My remarks are based on the discussion of three key points: (a) the artifactual nature of wine, (b) a version of the aesthetic theory of art, and (c) the metaphysical view Nick Zangwill calls ‘Aesthetic Functionalism’. According to this view, in order to be an artwork an object must have originated in an insight concerning the fact that certain aesthetic properties would be realized by certain non-aesthetic properties. The thesis I defend is that a certain wine is an artwork if and only if it has been produced with the intention to realize certain aesthetic properties in other, non-aesthetic properties, i.e. in the smell and taste of the wine, on the ground of an insight into the dependence of the former on the latter.
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spelling doaj.art-d56e17fb62f4490ab4290424c746d1532022-12-22T03:16:35ZengRosenberg & SellierRivista di Estetica0035-62122421-58642012-10-015115517410.4000/estetica.1406On Wines as Works of ArtGabriele TomasiIt is a fact that wine tasting can at times take the form of an aesthetic experience and that many wines can be regarded as proper aesthetic objects. Can we consider wines works of art, then? This is the question I explore in this essay. I have reservations towards a positive answer to the question, but I think their nature is psychological or cultural, rather than theoretical. From a theoretical point of view we probably have sufficient reasons to claim that high quality wines are artworks: in this essay I try to lay out those reasons. My remarks are based on the discussion of three key points: (a) the artifactual nature of wine, (b) a version of the aesthetic theory of art, and (c) the metaphysical view Nick Zangwill calls ‘Aesthetic Functionalism’. According to this view, in order to be an artwork an object must have originated in an insight concerning the fact that certain aesthetic properties would be realized by certain non-aesthetic properties. The thesis I defend is that a certain wine is an artwork if and only if it has been produced with the intention to realize certain aesthetic properties in other, non-aesthetic properties, i.e. in the smell and taste of the wine, on the ground of an insight into the dependence of the former on the latter.http://journals.openedition.org/estetica/1406
spellingShingle Gabriele Tomasi
On Wines as Works of Art
Rivista di Estetica
title On Wines as Works of Art
title_full On Wines as Works of Art
title_fullStr On Wines as Works of Art
title_full_unstemmed On Wines as Works of Art
title_short On Wines as Works of Art
title_sort on wines as works of art
url http://journals.openedition.org/estetica/1406
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