‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska

Harold Pinter’s one-act play A Kind of Alaska (1982) stages Deborah, a woman who wakes up after twenty-nine years of coma, along with her doctor and sister. Her presence on stage in her hospital bed inevitably raises the question of the perception of the diseased body: her body is exposed, made audi...

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Main Author: Adeline Arniac
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2017-10-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/3762
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author Adeline Arniac
author_facet Adeline Arniac
author_sort Adeline Arniac
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description Harold Pinter’s one-act play A Kind of Alaska (1982) stages Deborah, a woman who wakes up after twenty-nine years of coma, along with her doctor and sister. Her presence on stage in her hospital bed inevitably raises the question of the perception of the diseased body: her body is exposed, made audible and visible. This exposure is striking because it unveils the body in its materiality, underlining the dispossession caused by our embodiment, the lack of control over our own bodies, and our inevitable subjection to ageing and possible diseases. Exposing the materiality of the body is thus a way to reveal its vulnerability and acts as a reminder that we are all potentially dependent. This forced surrender of total control actually initiates a re-evaluation of the notions of exposure and dispossession: exposure becomes a necessary way to acknowledge the presence of the other beyond any attempts at understanding him/her through language or knowledge.
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spelling doaj.art-d63a77e595034210a03c371efd49c8552022-12-22T01:31:56ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442017-10-015310.4000/ebc.3762‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of AlaskaAdeline ArniacHarold Pinter’s one-act play A Kind of Alaska (1982) stages Deborah, a woman who wakes up after twenty-nine years of coma, along with her doctor and sister. Her presence on stage in her hospital bed inevitably raises the question of the perception of the diseased body: her body is exposed, made audible and visible. This exposure is striking because it unveils the body in its materiality, underlining the dispossession caused by our embodiment, the lack of control over our own bodies, and our inevitable subjection to ageing and possible diseases. Exposing the materiality of the body is thus a way to reveal its vulnerability and acts as a reminder that we are all potentially dependent. This forced surrender of total control actually initiates a re-evaluation of the notions of exposure and dispossession: exposure becomes a necessary way to acknowledge the presence of the other beyond any attempts at understanding him/her through language or knowledge.http://journals.openedition.org/ebc/3762A Kind of AlaskaHarold Pinterdispossessionexposuredramavulnerability
spellingShingle Adeline Arniac
‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska
Études Britanniques Contemporaines
A Kind of Alaska
Harold Pinter
dispossession
exposure
drama
vulnerability
title ‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska
title_full ‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska
title_fullStr ‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska
title_full_unstemmed ‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska
title_short ‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska
title_sort i was simply obeying the law of the body dispossession and exposure of the vulnerable body in harold pinter s a kind of alaska
topic A Kind of Alaska
Harold Pinter
dispossession
exposure
drama
vulnerability
url http://journals.openedition.org/ebc/3762
work_keys_str_mv AT adelinearniac iwassimplyobeyingthelawofthebodydispossessionandexposureofthevulnerablebodyinharoldpintersakindofalaska