In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”

Through a new analysis of the letter that opens Svevo’s first novel, Una vita, addressed by the protagonist Alfonso Nitti to his mother, this article aims to investigate the subterranean intertextual strategy adopted by the author to provide an initial psychological portrait of his character, surfac...

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Main Author: Matteo Rosario Maria Branduardi
Format: Article
Language:English
Published: University of Bologna 2022-10-01
Series:Finzioni
Subjects:
Online Access:https://finzioni.unibo.it/article/view/15620
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author Matteo Rosario Maria Branduardi
author_facet Matteo Rosario Maria Branduardi
author_sort Matteo Rosario Maria Branduardi
collection DOAJ
description Through a new analysis of the letter that opens Svevo’s first novel, Una vita, addressed by the protagonist Alfonso Nitti to his mother, this article aims to investigate the subterranean intertextual strategy adopted by the author to provide an initial psychological portrait of his character, surfacing in transparency behind the official presentation entrusted to Alfonso’s voice. In particular, the analysis of a short narrative segment generally traced by critics to a distant bucolic-Virgilian influence, reveals the closest and most significant presence, behind the prologue of Una vita, of Romantic literature, and specifically of Goethe’s Werther, a model revisited problematically by Svevo and assumed in the terms not of an inert acquiescence, but of a manifest impossibility of recovery.
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spelling doaj.art-d63fdcc962e1408ababe29a1edbaeb9c2022-12-22T04:31:49ZengUniversity of BolognaFinzioni2785-22882022-10-0123788910.6092/issn.2785-2288/1562013962In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”Matteo Rosario Maria Branduardi0Università di BolognaThrough a new analysis of the letter that opens Svevo’s first novel, Una vita, addressed by the protagonist Alfonso Nitti to his mother, this article aims to investigate the subterranean intertextual strategy adopted by the author to provide an initial psychological portrait of his character, surfacing in transparency behind the official presentation entrusted to Alfonso’s voice. In particular, the analysis of a short narrative segment generally traced by critics to a distant bucolic-Virgilian influence, reveals the closest and most significant presence, behind the prologue of Una vita, of Romantic literature, and specifically of Goethe’s Werther, a model revisited problematically by Svevo and assumed in the terms not of an inert acquiescence, but of a manifest impossibility of recovery.https://finzioni.unibo.it/article/view/15620svevoletterintertextualityromanticismmannerism
spellingShingle Matteo Rosario Maria Branduardi
In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”
Finzioni
svevo
letter
intertextuality
romanticism
mannerism
title In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”
title_full In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”
title_fullStr In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”
title_full_unstemmed In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”
title_short In the shadow of the oaks. Romantic memory and intertextual strategy in the prologue to “A Life”
title_sort in the shadow of the oaks romantic memory and intertextual strategy in the prologue to a life
topic svevo
letter
intertextuality
romanticism
mannerism
url https://finzioni.unibo.it/article/view/15620
work_keys_str_mv AT matteorosariomariabranduardi intheshadowoftheoaksromanticmemoryandintertextualstrategyintheprologuetoalife