CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION

The development of technologies, media, the radical changes produced in the mentality of people and the way of perception of reality in the contemporary times, the new trends in the field of music, the modern pop-rock genres, etc have deeply marked the lyrical theater. The opera gradually expands it...

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Main Author: BUSUIOC, TATIANA
Format: Article
Language:deu
Published: Notograf Prim 2023-04-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:https://revista.amtap.md/wp-content/files_mf/16813080567.Busuioc_Teatrul_de_opera_contemporan.pdf
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author BUSUIOC, TATIANA
author_facet BUSUIOC, TATIANA
author_sort BUSUIOC, TATIANA
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description The development of technologies, media, the radical changes produced in the mentality of people and the way of perception of reality in the contemporary times, the new trends in the field of music, the modern pop-rock genres, etc have deeply marked the lyrical theater. The opera gradually expands its strict sphere of academic music with a largely homogeneous audience, moving into the sphere of academic-mass interference performances and being the target, thanks to new directorial and interpretive visions, to a much wider audience, a heterogeneous audience. in terms of knowledge in the field, musical preferences, age and even the level of culture and ethical and moral norms.
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spelling doaj.art-d69835bb9c4c431a86af845c611653f52023-04-18T10:33:02ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312023-04-01432 4346CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATIONBUSUIOC, TATIANA0https://orcid.org/0000-0001-8638-3310Academy of Music, Theater and Fine ArtsThe development of technologies, media, the radical changes produced in the mentality of people and the way of perception of reality in the contemporary times, the new trends in the field of music, the modern pop-rock genres, etc have deeply marked the lyrical theater. The opera gradually expands its strict sphere of academic music with a largely homogeneous audience, moving into the sphere of academic-mass interference performances and being the target, thanks to new directorial and interpretive visions, to a much wider audience, a heterogeneous audience. in terms of knowledge in the field, musical preferences, age and even the level of culture and ethical and moral norms.https://revista.amtap.md/wp-content/files_mf/16813080567.Busuioc_Teatrul_de_opera_contemporan.pdfoperacontemporary performanceinterpretationsingersaudiencedirectingmodern technology
spellingShingle BUSUIOC, TATIANA
CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
opera
contemporary performance
interpretation
singers
audience
directing
modern technology
title CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION
title_full CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION
title_fullStr CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION
title_full_unstemmed CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION
title_short CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION
title_sort contemporary opera theater between tradition and innovation
topic opera
contemporary performance
interpretation
singers
audience
directing
modern technology
url https://revista.amtap.md/wp-content/files_mf/16813080567.Busuioc_Teatrul_de_opera_contemporan.pdf
work_keys_str_mv AT busuioctatiana contemporaryoperatheaterbetweentraditionandinnovation