What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew

For some time now, cinema has stood on the threshold of extinction. The decline of theatrical exhibition, the rise of video and, later, digital technologies and the growing commercial pressures of an increasingly saturated media environment have all threatened to eclipse cinema in its most familiar...

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Bibliographic Details
Main Author: Kevin McDonald
Format: Article
Language:English
Published: University College Cork 2012-02-01
Series:Alphaville: Journal of Film and Screen Media
Subjects:
Online Access:http://www.alphavillejournal.com/Issue 2/HTML/ReviewMcDonald.html
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author Kevin McDonald
author_facet Kevin McDonald
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description For some time now, cinema has stood on the threshold of extinction. The decline of theatrical exhibition, the rise of video and, later, digital technologies and the growing commercial pressures of an increasingly saturated media environment have all threatened to eclipse cinema in its most familiar form. Keenly aware of these circumstances, Dudley Andrew addresses cinema’s current state of peril with poise and a deliberate measure of aplomb in his new, emphatically-titled What Cinema Is!. Guiding readers through the dynamic developments of post-war French film culture, Andrew provides a fresh and elucidating account of the period’s greatest exegete, André Bazin. In so doing, Andrew effectively continues Bazin’s legacy, firstly, by reiterating the medium’s exemplary configuration and, secondly, by forcefully defending its continued social, aesthetic, and scholarly merit. Andrew’s claims throughout are skilful and compelling; not surprisingly, he proves most perceptive in navigating the critical debates that have shaped Film Studies since Bazin’s death.
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spelling doaj.art-d6bdf75ebaa743b1b5da4738e41666712022-12-22T01:10:38ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782012-02-012102106https://doi.org/10.33178/alpha.2.10What Cinema Is! Bazin’s Quest and its Charge, by Dudley AndrewKevin McDonald0Cal State NorthridgeFor some time now, cinema has stood on the threshold of extinction. The decline of theatrical exhibition, the rise of video and, later, digital technologies and the growing commercial pressures of an increasingly saturated media environment have all threatened to eclipse cinema in its most familiar form. Keenly aware of these circumstances, Dudley Andrew addresses cinema’s current state of peril with poise and a deliberate measure of aplomb in his new, emphatically-titled What Cinema Is!. Guiding readers through the dynamic developments of post-war French film culture, Andrew provides a fresh and elucidating account of the period’s greatest exegete, André Bazin. In so doing, Andrew effectively continues Bazin’s legacy, firstly, by reiterating the medium’s exemplary configuration and, secondly, by forcefully defending its continued social, aesthetic, and scholarly merit. Andrew’s claims throughout are skilful and compelling; not surprisingly, he proves most perceptive in navigating the critical debates that have shaped Film Studies since Bazin’s death.http://www.alphavillejournal.com/Issue 2/HTML/ReviewMcDonald.htmlfuture of cinemabazinandré1918-1958criticism and interpretation
spellingShingle Kevin McDonald
What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew
Alphaville: Journal of Film and Screen Media
future of cinema
bazin
andré
1918-1958
criticism and interpretation
title What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew
title_full What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew
title_fullStr What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew
title_full_unstemmed What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew
title_short What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew
title_sort what cinema is bazin s quest and its charge by dudley andrew
topic future of cinema
bazin
andré
1918-1958
criticism and interpretation
url http://www.alphavillejournal.com/Issue 2/HTML/ReviewMcDonald.html
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