Rework the conflict. "Bunker", a case of relational art

The contribution deals with the theme of the conflict on his positive side of reworking through a case of relational art. This is the process developed by Laura Morelli and related to the bombardment of the Dalmine steelworks on the 16th of July 1944. Between 2006 and 2007 the artist faced the elabo...

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Main Author: Cecilia De Carli
Format: Article
Language:English
Published: University of Bologna 2017-07-01
Series:piano b
Subjects:
Online Access:https://pianob.unibo.it/article/view/7698
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author Cecilia De Carli
author_facet Cecilia De Carli
author_sort Cecilia De Carli
collection DOAJ
description The contribution deals with the theme of the conflict on his positive side of reworking through a case of relational art. This is the process developed by Laura Morelli and related to the bombardment of the Dalmine steelworks on the 16th of July 1944. Between 2006 and 2007 the artist faced the elaboration of what happened across an historical research and an artistic/relational project that involved groups of people who had suffered the loss of their loved ones and she worked on a collective restitution, later proposed to the public. The process of artistic transposition came to a huge impactful installation welcomed by the Dalmine steelworks. In 2016 the installation was rebuilt in the chapel S. Francesco of Università Cattolica in Milan capturing a new performance dimension compared to the multiple implications of the current conflict and in its elaboration.
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spelling doaj.art-d6bfc81e7f6e45e29dc07357b2a16c092022-12-21T19:57:43ZengUniversity of Bolognapiano b2531-98762017-07-012112414810.6092/issn.2531-9876/76986888Rework the conflict. "Bunker", a case of relational artCecilia De Carli0Università Cattolica del Sacro Cuore di MilanoThe contribution deals with the theme of the conflict on his positive side of reworking through a case of relational art. This is the process developed by Laura Morelli and related to the bombardment of the Dalmine steelworks on the 16th of July 1944. Between 2006 and 2007 the artist faced the elaboration of what happened across an historical research and an artistic/relational project that involved groups of people who had suffered the loss of their loved ones and she worked on a collective restitution, later proposed to the public. The process of artistic transposition came to a huge impactful installation welcomed by the Dalmine steelworks. In 2016 the installation was rebuilt in the chapel S. Francesco of Università Cattolica in Milan capturing a new performance dimension compared to the multiple implications of the current conflict and in its elaboration.https://pianob.unibo.it/article/view/7698bunkerarte relazionalelaura morelli
spellingShingle Cecilia De Carli
Rework the conflict. "Bunker", a case of relational art
piano b
bunker
arte relazionale
laura morelli
title Rework the conflict. "Bunker", a case of relational art
title_full Rework the conflict. "Bunker", a case of relational art
title_fullStr Rework the conflict. "Bunker", a case of relational art
title_full_unstemmed Rework the conflict. "Bunker", a case of relational art
title_short Rework the conflict. "Bunker", a case of relational art
title_sort rework the conflict bunker a case of relational art
topic bunker
arte relazionale
laura morelli
url https://pianob.unibo.it/article/view/7698
work_keys_str_mv AT ceciliadecarli reworktheconflictbunkeracaseofrelationalart