The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile

This article examines the contributions of three contemporary Chilean women poets, Cecilia Vicuña, Anamaría Briede and Luna Montenegro to the UK Writers Forum and its Chilean counterpart, El Foro de Escritores. In the early 2000s, these groups produced two ongoing workshops that focused on poetic ex...

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Main Author: Jèssica Pujol Duran
Format: Article
Language:English
Published: University of Groningen Press 2021-05-01
Series:Mistral
Subjects:
Online Access:https://ugp.rug.nl/Mistral/article/view/37509
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author Jèssica Pujol Duran
author_facet Jèssica Pujol Duran
author_sort Jèssica Pujol Duran
collection DOAJ
description This article examines the contributions of three contemporary Chilean women poets, Cecilia Vicuña, Anamaría Briede and Luna Montenegro to the UK Writers Forum and its Chilean counterpart, El Foro de Escritores. In the early 2000s, these groups produced two ongoing workshops that focused on poetic experimentation and performance and valued the oral over the written word. Entering into dialogue with Charles Bernstein’s analysis of the poetry reading, Erika Fischer-Lichte’s performative turn in the arts, and Joseph Roach theorization of performance and memory, this article unravels Chilean women’s poetics within a transnational context. It proposes that the value these women poets placed on aurality facilitated new engagement with Pre-Columbian cultures and languages as well as reconsiderations of the intimacy of the body and its linguistic representation.
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spelling doaj.art-d6d3e14020934f13a9cdaee83cd4e63a2022-12-22T01:34:54ZengUniversity of Groningen PressMistral2772-49132021-05-011110.21827/mistral.1.3750927155The Performative Forum: Women, Body and Memory in the Foro de Escritores ChileJèssica Pujol Duran0Universidad de Santiago de ChileThis article examines the contributions of three contemporary Chilean women poets, Cecilia Vicuña, Anamaría Briede and Luna Montenegro to the UK Writers Forum and its Chilean counterpart, El Foro de Escritores. In the early 2000s, these groups produced two ongoing workshops that focused on poetic experimentation and performance and valued the oral over the written word. Entering into dialogue with Charles Bernstein’s analysis of the poetry reading, Erika Fischer-Lichte’s performative turn in the arts, and Joseph Roach theorization of performance and memory, this article unravels Chilean women’s poetics within a transnational context. It proposes that the value these women poets placed on aurality facilitated new engagement with Pre-Columbian cultures and languages as well as reconsiderations of the intimacy of the body and its linguistic representation.https://ugp.rug.nl/Mistral/article/view/37509auralitypoetic performancewriters forumpre-columbian languageschilean women poetsmemory
spellingShingle Jèssica Pujol Duran
The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
Mistral
aurality
poetic performance
writers forum
pre-columbian languages
chilean women poets
memory
title The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
title_full The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
title_fullStr The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
title_full_unstemmed The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
title_short The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
title_sort performative forum women body and memory in the foro de escritores chile
topic aurality
poetic performance
writers forum
pre-columbian languages
chilean women poets
memory
url https://ugp.rug.nl/Mistral/article/view/37509
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