Crisis, What Crisis?

As in most countries, Norwegian and Danish media houses struggle to adjust to new technological, economic and political realities. Photo departments have seen their budgets cut and people have been let go. It looks, however, as if the organisational response to the crisis is more nuanced than it may...

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Bibliographic Details
Main Authors: Simonsen Anne Hege, Evensen Jon Petter
Format: Article
Language:English
Published: Sciendo 2017-11-01
Series:Nordicom Review
Subjects:
Online Access:https://doi.org/10.1515/nor-2017-0416
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author Simonsen Anne Hege
Evensen Jon Petter
author_facet Simonsen Anne Hege
Evensen Jon Petter
author_sort Simonsen Anne Hege
collection DOAJ
description As in most countries, Norwegian and Danish media houses struggle to adjust to new technological, economic and political realities. Photo departments have seen their budgets cut and people have been let go. It looks, however, as if the organisational response to the crisis is more nuanced than it may seem at first glance. We have examined three media organisations, with a reputation for an above average interest in photojournalism, through the filter of organisational psychology. By looking at the conjunction between organisational culture, the present climate, and what we may call visual editorial competence, which relates to a photo department’s relative power within the organisation, we try to shed some light on when and why photo departments are able to implement their own crisis management and thus influence their own situation. Our findings suggest that photo departments with a strong culture are more resilient to a climate marked by disruptive change. The overall visual editorial competence does, however, impact their manoeuvring space within the organisation.
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spelling doaj.art-d700fdf667d84a4a9ce3ae4bcdc764c02023-09-02T14:52:39ZengSciendoNordicom Review2001-51192017-11-0138s28710210.1515/nor-2017-0416Crisis, What Crisis?Simonsen Anne HegeEvensen Jon PetterAs in most countries, Norwegian and Danish media houses struggle to adjust to new technological, economic and political realities. Photo departments have seen their budgets cut and people have been let go. It looks, however, as if the organisational response to the crisis is more nuanced than it may seem at first glance. We have examined three media organisations, with a reputation for an above average interest in photojournalism, through the filter of organisational psychology. By looking at the conjunction between organisational culture, the present climate, and what we may call visual editorial competence, which relates to a photo department’s relative power within the organisation, we try to shed some light on when and why photo departments are able to implement their own crisis management and thus influence their own situation. Our findings suggest that photo departments with a strong culture are more resilient to a climate marked by disruptive change. The overall visual editorial competence does, however, impact their manoeuvring space within the organisation.https://doi.org/10.1515/nor-2017-0416photojournalismorganisational theoryvisual editorial competencecrisis managementoptimism
spellingShingle Simonsen Anne Hege
Evensen Jon Petter
Crisis, What Crisis?
Nordicom Review
photojournalism
organisational theory
visual editorial competence
crisis management
optimism
title Crisis, What Crisis?
title_full Crisis, What Crisis?
title_fullStr Crisis, What Crisis?
title_full_unstemmed Crisis, What Crisis?
title_short Crisis, What Crisis?
title_sort crisis what crisis
topic photojournalism
organisational theory
visual editorial competence
crisis management
optimism
url https://doi.org/10.1515/nor-2017-0416
work_keys_str_mv AT simonsenannehege crisiswhatcrisis
AT evensenjonpetter crisiswhatcrisis