Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Era
<strong> </strong><strong> </strong>When we realize deep feelings of a painter and know various styles of painting during an era completely, learn about the history and time of origin and also the way the school has been developed and the styles of an art work, charm and...
| Main Authors: | , |
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| Format: | Article |
| Language: | fas |
| Published: |
Alzahra University
2016-10-01
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| Series: | Jilvah-i hunar |
| Subjects: | |
| Online Access: | https://jjhjor.alzahra.ac.ir/article_2697_0c388d3e620a26ed29a4e6e3d9c4ec59.pdf |
| _version_ | 1817989772052791296 |
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| author | behnaz atabati Aboulghasem dadvar |
| author_facet | behnaz atabati Aboulghasem dadvar |
| author_sort | behnaz atabati |
| collection | DOAJ |
| description | <strong> </strong><strong> </strong>When we realize deep feelings of a painter and know various styles of painting during an era completely, learn about the history and time of origin and also the way the school has been developed and the styles of an art work, charm and appreciation toward a painting will increase. Nature is one of subjects which have impressed many Chinese painters. An original Chinese painter never copies nature because he means something beyond nature's physical appearance. Chinese painting mostly tries to illustrate the feeling a natural landscape creates in the painter by means of symbols and cues. Generally speaking, present study aims to examine the effects of thoughts and social condition of china in illustration of landscapes by Chinese painting during Sung Dynasty. Research method is descriptive and in order to gather the required data, library research was conducted. Findings show that artist thinks of integration with soul and the essence of the nature in Sung School and what he calls nature is a result of changes which society has implied on his world beforehand and artist tries to create his image of the nature by minimum working on details of his imagination. |
| first_indexed | 2024-04-14T00:50:08Z |
| format | Article |
| id | doaj.art-d750296bb6cb40459759b604b8cc4d54 |
| institution | Directory Open Access Journal |
| issn | 1607-9868 2538-256X |
| language | fas |
| last_indexed | 2024-04-14T00:50:08Z |
| publishDate | 2016-10-01 |
| publisher | Alzahra University |
| record_format | Article |
| series | Jilvah-i hunar |
| spelling | doaj.art-d750296bb6cb40459759b604b8cc4d542022-12-22T02:21:49ZfasAlzahra UniversityJilvah-i hunar1607-98682538-256X2016-10-01829711010.22051/jjh.2017.12.2697Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Erabehnaz atabati0Aboulghasem dadvar1departmentاستاد گروه پژوهش هنر دانشگاه الزهرا(س)، تهران، ایران<strong> </strong><strong> </strong>When we realize deep feelings of a painter and know various styles of painting during an era completely, learn about the history and time of origin and also the way the school has been developed and the styles of an art work, charm and appreciation toward a painting will increase. Nature is one of subjects which have impressed many Chinese painters. An original Chinese painter never copies nature because he means something beyond nature's physical appearance. Chinese painting mostly tries to illustrate the feeling a natural landscape creates in the painter by means of symbols and cues. Generally speaking, present study aims to examine the effects of thoughts and social condition of china in illustration of landscapes by Chinese painting during Sung Dynasty. Research method is descriptive and in order to gather the required data, library research was conducted. Findings show that artist thinks of integration with soul and the essence of the nature in Sung School and what he calls nature is a result of changes which society has implied on his world beforehand and artist tries to create his image of the nature by minimum working on details of his imagination.https://jjhjor.alzahra.ac.ir/article_2697_0c388d3e620a26ed29a4e6e3d9c4ec59.pdfchinasung dynastysocial conditionsnaturalism |
| spellingShingle | behnaz atabati Aboulghasem dadvar Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Era Jilvah-i hunar china sung dynasty social conditions naturalism |
| title | Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Era |
| title_full | Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Era |
| title_fullStr | Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Era |
| title_full_unstemmed | Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Era |
| title_short | Surveying the Effect of Chinese Thought and Social Conditions on Landscape Painting By the Painters of Sung Era |
| title_sort | surveying the effect of chinese thought and social conditions on landscape painting by the painters of sung era |
| topic | china sung dynasty social conditions naturalism |
| url | https://jjhjor.alzahra.ac.ir/article_2697_0c388d3e620a26ed29a4e6e3d9c4ec59.pdf |
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