Profectio Moysis in Aegyptum (1784): A “Fake” Neapolitan Oratorio?
One manuscript of an oratorio in I-Mc dating from 1784 is described, on its title page, as a pasticcio by “celebrated Neapolitan maestri”. I suggest that the source is actually a forgery and linked to three non-Neapolitan composers. The inference is that it was associ- ated with Naples purely for ma...
Main Author: | Eric Boaro |
---|---|
Format: | Article |
Language: | deu |
Published: |
ZRC SAZU, Založba ZRC
2024-01-01
|
Series: | De Musica Disserenda |
Subjects: | |
Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/13637 |
Similar Items
-
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
by: Spáčilová Jana
Published: (2021-12-01) -
From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna
by: Raffaele Mellace
Published: (2014-06-01) -
THE ODYSSEY OF A LOST AND FOUND ORATORIO
by: Stelian IONAȘCU
Published: (2019-06-01) -
"Monstro esperançoso": a respeito de Oratório, de André Vallias
by: Rejane C. Rocha
Published: (2016-01-01) -
La visita de 1720 a las ermitas y oratorios del campo de Caravaca
by: Indalecio Pozo Martínez
Published: (2010-12-01)