Filmer, enquêter, montrer : allers et retours

This article tells the story of a documentary film, from its shooting to its screenings. Benvenuti (53’, 2017) was co-directed by a sociologist and a documentary maker, and is the fruit of a research on the borders and boundaries that penetrate a small italian island : Lampedusa. In this contributio...

Full description

Bibliographic Details
Main Author: Annalisa Lendaro
Format: Article
Language:fra
Published: Université de Poitiers 2020-02-01
Series:Images du Travail, Travail des Images
Subjects:
Online Access:http://journals.openedition.org/itti/369
_version_ 1797667139878912000
author Annalisa Lendaro
author_facet Annalisa Lendaro
author_sort Annalisa Lendaro
collection DOAJ
description This article tells the story of a documentary film, from its shooting to its screenings. Benvenuti (53’, 2017) was co-directed by a sociologist and a documentary maker, and is the fruit of a research on the borders and boundaries that penetrate a small italian island : Lampedusa. In this contribution, through a reflexive return to the fieldwork, I try to aswer the following question : at what stage(s) of the research work does the animated picture play a central role for the understanding of a social phenomenon ? After having reconstructed the different phases of its realisation, I will focus on the methodological issues dealing with a reasearch film : in particular, I will discuss the pertincence of its screening as a part of a set of collective interviews relizes between april and june 2018 during a return on the same fieldwork (the sociologist alone, this time.
first_indexed 2024-03-11T20:08:56Z
format Article
id doaj.art-d78c5fc35a60479da6798d1d7ab54e9d
institution Directory Open Access Journal
issn 2778-8628
language fra
last_indexed 2024-03-11T20:08:56Z
publishDate 2020-02-01
publisher Université de Poitiers
record_format Article
series Images du Travail, Travail des Images
spelling doaj.art-d78c5fc35a60479da6798d1d7ab54e9d2023-10-03T13:01:33ZfraUniversité de PoitiersImages du Travail, Travail des Images2778-86282020-02-01810.4000/itti.369Filmer, enquêter, montrer : allers et retoursAnnalisa LendaroThis article tells the story of a documentary film, from its shooting to its screenings. Benvenuti (53’, 2017) was co-directed by a sociologist and a documentary maker, and is the fruit of a research on the borders and boundaries that penetrate a small italian island : Lampedusa. In this contribution, through a reflexive return to the fieldwork, I try to aswer the following question : at what stage(s) of the research work does the animated picture play a central role for the understanding of a social phenomenon ? After having reconstructed the different phases of its realisation, I will focus on the methodological issues dealing with a reasearch film : in particular, I will discuss the pertincence of its screening as a part of a set of collective interviews relizes between april and june 2018 during a return on the same fieldwork (the sociologist alone, this time.http://journals.openedition.org/itti/369documentary filmLampedusacollective interviewssurvey report
spellingShingle Annalisa Lendaro
Filmer, enquêter, montrer : allers et retours
Images du Travail, Travail des Images
documentary film
Lampedusa
collective interviews
survey report
title Filmer, enquêter, montrer : allers et retours
title_full Filmer, enquêter, montrer : allers et retours
title_fullStr Filmer, enquêter, montrer : allers et retours
title_full_unstemmed Filmer, enquêter, montrer : allers et retours
title_short Filmer, enquêter, montrer : allers et retours
title_sort filmer enqueter montrer allers et retours
topic documentary film
Lampedusa
collective interviews
survey report
url http://journals.openedition.org/itti/369
work_keys_str_mv AT annalisalendaro filmerenquetermontrerallersetretours