La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill
Among the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. To opt for the artifice of constrained writing for the stage is the way that Martin Crimp or Caryl Churchill have elected, after Tom Stoppard, to confess the...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2009-12-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | http://journals.openedition.org/sillagescritiques/1877 |
| _version_ | 1818765796382343168 |
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| author | Élisabeth Angel-Perez |
| author_facet | Élisabeth Angel-Perez |
| author_sort | Élisabeth Angel-Perez |
| collection | DOAJ |
| description | Among the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. To opt for the artifice of constrained writing for the stage is the way that Martin Crimp or Caryl Churchill have elected, after Tom Stoppard, to confess the difficuty there is to use language in our post-Adornian world. If there no longer is an adequacy between the tragic feeling and the form of tragedy, one has to elaborate new modes of tragic expression. It will be my contention here to demonstrate that the literary constraints summoned by Crimp or Kane, these rules or patterns artificially forced on the text from an exterior stance, enable these playwrights to open the breach for a new tragic place within the text. |
| first_indexed | 2024-12-18T08:23:47Z |
| format | Article |
| id | doaj.art-d7e013321c3348d5b1335f3c1c6ee675 |
| institution | Directory Open Access Journal |
| issn | 1272-3819 1969-6302 |
| language | English |
| last_indexed | 2024-12-18T08:23:47Z |
| publishDate | 2009-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj.art-d7e013321c3348d5b1335f3c1c6ee6752022-12-21T21:14:40ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022009-12-0110La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl ChurchillÉlisabeth Angel-PerezAmong the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. To opt for the artifice of constrained writing for the stage is the way that Martin Crimp or Caryl Churchill have elected, after Tom Stoppard, to confess the difficuty there is to use language in our post-Adornian world. If there no longer is an adequacy between the tragic feeling and the form of tragedy, one has to elaborate new modes of tragic expression. It will be my contention here to demonstrate that the literary constraints summoned by Crimp or Kane, these rules or patterns artificially forced on the text from an exterior stance, enable these playwrights to open the breach for a new tragic place within the text.http://journals.openedition.org/sillagescritiques/1877constraintChurchillCrimpStoppardWittgensteintragedy |
| spellingShingle | Élisabeth Angel-Perez La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill Sillages Critiques constraint Churchill Crimp Stoppard Wittgenstein tragedy |
| title | La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill |
| title_full | La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill |
| title_fullStr | La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill |
| title_full_unstemmed | La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill |
| title_short | La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill |
| title_sort | la contrainte comme artifice sur la scene anglaise contemporaine tom stoppard martin crimp et caryl churchill |
| topic | constraint Churchill Crimp Stoppard Wittgenstein tragedy |
| url | http://journals.openedition.org/sillagescritiques/1877 |
| work_keys_str_mv | AT elisabethangelperez lacontraintecommeartificesurlasceneanglaisecontemporainetomstoppardmartincrimpetcarylchurchill |