Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)

Un condamné à mort s’est échappé or Le vent souffle ou il veut (1956), by Robert Bresson, Le Trou (1960) by Jacques Becker and Un Prophète (2009) by Jacques Audiard, are three films where the prison dimension is not a narrative device at the service of striking and adventurous actions, but constitut...

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Main Author: Roberto Chiesi
Format: Article
Language:English
Published: University of Bologna 2023-05-01
Series:DNA Di Nulla Academia
Subjects:
Online Access:https://dnacamporesi.unibo.it/article/view/16852
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author Roberto Chiesi
author_facet Roberto Chiesi
author_sort Roberto Chiesi
collection DOAJ
description Un condamné à mort s’est échappé or Le vent souffle ou il veut (1956), by Robert Bresson, Le Trou (1960) by Jacques Becker and Un Prophète (2009) by Jacques Audiard, are three films where the prison dimension is not a narrative device at the service of striking and adventurous actions, but constitutes a universe where we witness the radicalization of some human dynamics, a form of dramatic condensation that it reveals the qualities, potentials and miseries of human beings, thanks to the conditions of coercion and the claustrophobia in which the characters are forced to live.
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spelling doaj.art-d7eb0a5d3cf34e15a9c73a92e8707eb42023-05-05T12:49:11ZengUniversity of BolognaDNA Di Nulla Academia2724-51792023-05-013217518410.6092/issn.2724-5179/1685215210Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)Roberto Chiesi0Centro Studi - Archivio Pier Paolo Pasolini della Cineteca di BolognaUn condamné à mort s’est échappé or Le vent souffle ou il veut (1956), by Robert Bresson, Le Trou (1960) by Jacques Becker and Un Prophète (2009) by Jacques Audiard, are three films where the prison dimension is not a narrative device at the service of striking and adventurous actions, but constitutes a universe where we witness the radicalization of some human dynamics, a form of dramatic condensation that it reveals the qualities, potentials and miseries of human beings, thanks to the conditions of coercion and the claustrophobia in which the characters are forced to live.https://dnacamporesi.unibo.it/article/view/16852spacetimecondensationmatterellipsesinitiationsubjectivity
spellingShingle Roberto Chiesi
Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)
DNA Di Nulla Academia
space
time
condensation
matter
ellipses
initiation
subjectivity
title Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)
title_full Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)
title_fullStr Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)
title_full_unstemmed Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)
title_short Bresson, Becker, Audiard e la dimensione del carcere. Annotazioni su Un condamné à mort s’est échappé (1956), Le Trou (1960) e Un Prophète (2009)
title_sort bresson becker audiard e la dimensione del carcere annotazioni su un condamne a mort s est echappe 1956 le trou 1960 e un prophete 2009
topic space
time
condensation
matter
ellipses
initiation
subjectivity
url https://dnacamporesi.unibo.it/article/view/16852
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