MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM
Maurice Ravel together with Claude Debussy are considered the two great impressionist composers of the twentieth century, however both of them refused this appellation. The truth, as usual, is somewhere in the middle: although Ravel’s music through his harmonies belongs to Impressionism, through the...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2019-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/2077 |
| _version_ | 1797365183502352384 |
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| author | Boglárka Eszter OLÁH |
| author_facet | Boglárka Eszter OLÁH |
| author_sort | Boglárka Eszter OLÁH |
| collection | DOAJ |
| description | Maurice Ravel together with Claude Debussy are considered the two great impressionist composers of the twentieth century, however both of them refused this appellation. The truth, as usual, is somewhere in the middle: although Ravel’s music through his harmonies belongs to Impressionism, through the thematism of his works belongs to Symbolism and through the use of traditional forms belongs to Neoclassicism, each association can be only partially correct. This study tries to demonstrate this affirmation through a short overview of the composer’s art. |
| first_indexed | 2024-03-08T16:45:34Z |
| format | Article |
| id | doaj.art-d7fb25afb8db4e7388d43bd3f97f5c99 |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T16:45:34Z |
| publishDate | 2019-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-d7fb25afb8db4e7388d43bd3f97f5c992024-01-05T09:41:28ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282019-06-0164110.24193/subbmusica.2019.1.16MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISMBoglárka Eszter OLÁH0University Assistant Ph.D. “Gheorghe Dima” National Music Academy, 25, Ion I. C. Brătianu Street, Cluj-Napoca, email: boglarkaeszter@yahoo.comMaurice Ravel together with Claude Debussy are considered the two great impressionist composers of the twentieth century, however both of them refused this appellation. The truth, as usual, is somewhere in the middle: although Ravel’s music through his harmonies belongs to Impressionism, through the thematism of his works belongs to Symbolism and through the use of traditional forms belongs to Neoclassicism, each association can be only partially correct. This study tries to demonstrate this affirmation through a short overview of the composer’s art. http://193.231.18.162/index.php/subbmusica/article/view/2077Ravel, Impressionism, Symbolism, Neoclassicism, Skills. |
| spellingShingle | Boglárka Eszter OLÁH MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM Studia Universitatis Babeş-Bolyai. Musica Ravel, Impressionism, Symbolism, Neoclassicism, Skills. |
| title | MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM |
| title_full | MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM |
| title_fullStr | MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM |
| title_full_unstemmed | MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM |
| title_short | MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM |
| title_sort | maurice ravel between impressionism symbolism and neoclassicism |
| topic | Ravel, Impressionism, Symbolism, Neoclassicism, Skills. |
| url | http://193.231.18.162/index.php/subbmusica/article/view/2077 |
| work_keys_str_mv | AT boglarkaeszterolah mauriceravelbetweenimpressionismsymbolismandneoclassicism |