Beyond Boundaries: Painting Re-inscriptions in the Fifteenth to Seventeenth Century China
This paper explores the widespread practice of adding multiple inscriptions to a single artwork at different times in the fifteenth to seventeenth centuries China. Such practices became prominent when literati painters revisited artworks they had previously created or owned, or when paintings had ac...
Auteur principal: | Wenxin Wang |
---|---|
Format: | Article |
Langue: | English |
Publié: |
Universidad Complutense de Madrid
2024-02-01
|
Collection: | Arte, Individuo y Sociedad |
Sujets: | |
Accès en ligne: | https://revistas.ucm.es/index.php/ARIS/article/view/92068 |
Documents similaires
-
Literati Ingredients in the 17th-Century Chinese Christian Paintings
par: Jie Xiao
Publié: (2024-03-01) -
The Screen in Fresco Paintings: A Study of the ‘Screen-Style Frescoes’ in the Temples of Gaoping County in China
par: Wei Liu
Publié: (2017-09-01) -
The pulpit and the brush: preaching and painting in seventeenth-century Spain
par: Perez d'Ors, PJ
Publié: (2019) -
Paint and coating testing manual : fifteenth edition of the Gardner-Sward handbook /
par: Koleske, J. V., 1930-
Publié: (2012) -
Chen Shizeng’s “Theory of Subjectivity”: The Influence of Chinese Literati Painting on the Artistic Search for Western Modern-‘isms’ in the Republican Era
par: Nataša Vampelj Suhadolnik
Publié: (2013-01-01)