Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary Hermeneutics

Reading the literary text is a two-way interactive process between the reader and the text. This process occurs through a triangular interaction between three factors: the reader, the text, and the cultural atmosphere of this text. In this interaction, the reader’s role is not negative but it is ver...

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Main Author: Mahmoud Moawad Hemida Sokar
Format: Article
Language:Arabic
Published: Faculty of Arts, Port Said University 2019-07-01
Series:Maǧallaẗ Kulliyyaẗ Al-ādāb Ǧāmiʿaẗ Būrsaʿīd
Subjects:
Online Access:https://jfpsu.journals.ekb.eg/article_57934_9a8cf5d0163a04b5e3c2d9cdc424d8e2.pdf
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author Mahmoud Moawad Hemida Sokar
author_facet Mahmoud Moawad Hemida Sokar
author_sort Mahmoud Moawad Hemida Sokar
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description Reading the literary text is a two-way interactive process between the reader and the text. This process occurs through a triangular interaction between three factors: the reader, the text, and the cultural atmosphere of this text. In this interaction, the reader’s role is not negative but it is very active and vital, as he ⁄she has to work on making up the text’s meaning. Thus, the text’s interpretation is not solid process; it changes according to certain criteria. Like the Alexandrite gemstone, whose color varies according to the surrounded circumstances, the text is always open to many possible interpretations.
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spelling doaj.art-d847b9e9ae6b4584935c2f762023f7292023-10-24T09:43:09ZaraFaculty of Arts, Port Said UniversityMaǧallaẗ Kulliyyaẗ Al-ādāb Ǧāmiʿaẗ Būrsaʿīd2356-64932682-35512019-07-011414275610.21608/jfpsu.2019.5793457934Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary HermeneuticsMahmoud Moawad Hemida Sokar0Faculty of Arts, Port Said UniversityReading the literary text is a two-way interactive process between the reader and the text. This process occurs through a triangular interaction between three factors: the reader, the text, and the cultural atmosphere of this text. In this interaction, the reader’s role is not negative but it is very active and vital, as he ⁄she has to work on making up the text’s meaning. Thus, the text’s interpretation is not solid process; it changes according to certain criteria. Like the Alexandrite gemstone, whose color varies according to the surrounded circumstances, the text is always open to many possible interpretations.https://jfpsu.journals.ekb.eg/article_57934_9a8cf5d0163a04b5e3c2d9cdc424d8e2.pdfhermeneuticsexegesis to aestheticstowards establishing keyprinciplesliterary hermeneutics
spellingShingle Mahmoud Moawad Hemida Sokar
Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary Hermeneutics
Maǧallaẗ Kulliyyaẗ Al-ādāb Ǧāmiʿaẗ Būrsaʿīd
hermeneutics
exegesis to aesthetics
towards establishing key
principles
literary hermeneutics
title Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary Hermeneutics
title_full Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary Hermeneutics
title_fullStr Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary Hermeneutics
title_full_unstemmed Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary Hermeneutics
title_short Hermeneutics from Exegesis to Aesthetics: Towards Establishing Key Principles for Literary Hermeneutics
title_sort hermeneutics from exegesis to aesthetics towards establishing key principles for literary hermeneutics
topic hermeneutics
exegesis to aesthetics
towards establishing key
principles
literary hermeneutics
url https://jfpsu.journals.ekb.eg/article_57934_9a8cf5d0163a04b5e3c2d9cdc424d8e2.pdf
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