Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate Britain

A reflection on the aesthetic status of some typical objects of everyday life, and the relationship we have with them, may originate from the development of “aesthetic experience” by John Dewey and Neopragmatism. The continuity between the common practices and aesthetic ones determines the significa...

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Main Author: Matilde Greci
Format: Article
Language:English
Published: Firenze University Press 2014-06-01
Series:Aisthesis
Subjects:
Online Access:http://www.fupress.net/index.php/aisthesis/article/view/14616
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author Matilde Greci
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author_sort Matilde Greci
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description A reflection on the aesthetic status of some typical objects of everyday life, and the relationship we have with them, may originate from the development of “aesthetic experience” by John Dewey and Neopragmatism. The continuity between the common practices and aesthetic ones determines the significance of ordinary objects if they are linked to a project of enrichment and fulfillment of experience. A case that thematizes the richness of these practices in the contemporary world, and also the related theoretical and critical problems, is the production of skateboards. An established artist like Damien Hirst collaborates with the NYC-based streetwear brand Supreme; a new London-based brand, Palace Skateboards, and Tate realize together a few skateboard and a video.
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spelling doaj.art-d890de1694fb4ddaa495b569bfc4d0ae2022-12-22T01:14:46ZengFirenze University PressAisthesis2035-84662014-06-017112913910.13128/Aisthesis-1461612399Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate BritainMatilde GreciA reflection on the aesthetic status of some typical objects of everyday life, and the relationship we have with them, may originate from the development of “aesthetic experience” by John Dewey and Neopragmatism. The continuity between the common practices and aesthetic ones determines the significance of ordinary objects if they are linked to a project of enrichment and fulfillment of experience. A case that thematizes the richness of these practices in the contemporary world, and also the related theoretical and critical problems, is the production of skateboards. An established artist like Damien Hirst collaborates with the NYC-based streetwear brand Supreme; a new London-based brand, Palace Skateboards, and Tate realize together a few skateboard and a video.http://www.fupress.net/index.php/aisthesis/article/view/14616Everyday objectsAesthetic experienceCriticSkateboardingHirst
spellingShingle Matilde Greci
Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate Britain
Aisthesis
Everyday objects
Aesthetic experience
Critic
Skateboarding
Hirst
title Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate Britain
title_full Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate Britain
title_fullStr Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate Britain
title_full_unstemmed Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate Britain
title_short Esperienze estetiche nella quotidianità. Il caso delle tavole da skateboard: Damien Hirst e Supreme, Palace e Tate Britain
title_sort esperienze estetiche nella quotidianita il caso delle tavole da skateboard damien hirst e supreme palace e tate britain
topic Everyday objects
Aesthetic experience
Critic
Skateboarding
Hirst
url http://www.fupress.net/index.php/aisthesis/article/view/14616
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