The sequestering of Italian Baroque: Botelho and Padre Spada hidden translation
Música do Parnasso is a lyrical collection published in 1705 by Manuel Botelho de Oliveira. Speaking of modern Italy, Botelho characterized it – in his dedicatory – as a renewed Greece. The Italian poet Marino emerges within Botelho preferences: Marino is quoted several times directly and indirectly...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Universidade Federal de Santa Catarina
2016-09-01
|
| Series: | Cadernos de Tradução |
| Subjects: | |
| Online Access: | https://periodicos.ufsc.br/index.php/traducao/article/view/45507 |
| _version_ | 1818030351820259328 |
|---|---|
| author | Yuri Brunello |
| author_facet | Yuri Brunello |
| author_sort | Yuri Brunello |
| collection | DOAJ |
| description | Música do Parnasso is a lyrical collection published in 1705 by Manuel Botelho de Oliveira. Speaking of modern Italy, Botelho characterized it – in his dedicatory – as a renewed Greece. The Italian poet Marino emerges within Botelho preferences: Marino is quoted several times directly and indirectly by the Brazilian literate. However, this knowledge was mediated by a little-known manual of an Italian ecclesiastic, Padre Giambattista Spada. |
| first_indexed | 2024-12-10T05:34:12Z |
| format | Article |
| id | doaj.art-d8a416fb8f614e859876978b00986a7c |
| institution | Directory Open Access Journal |
| issn | 1414-526X 2175-7968 |
| language | English |
| last_indexed | 2024-12-10T05:34:12Z |
| publishDate | 2016-09-01 |
| publisher | Universidade Federal de Santa Catarina |
| record_format | Article |
| series | Cadernos de Tradução |
| spelling | doaj.art-d8a416fb8f614e859876978b00986a7c2022-12-22T02:00:27ZengUniversidade Federal de Santa CatarinaCadernos de Tradução1414-526X2175-79682016-09-0136310912310.5007/2175-7968.2016v36n3p10925738The sequestering of Italian Baroque: Botelho and Padre Spada hidden translationYuri Brunello0Universidade Federal do Ceará (UFC)Música do Parnasso is a lyrical collection published in 1705 by Manuel Botelho de Oliveira. Speaking of modern Italy, Botelho characterized it – in his dedicatory – as a renewed Greece. The Italian poet Marino emerges within Botelho preferences: Marino is quoted several times directly and indirectly by the Brazilian literate. However, this knowledge was mediated by a little-known manual of an Italian ecclesiastic, Padre Giambattista Spada.https://periodicos.ufsc.br/index.php/traducao/article/view/45507materialismointertextualidadebarroco |
| spellingShingle | Yuri Brunello The sequestering of Italian Baroque: Botelho and Padre Spada hidden translation Cadernos de Tradução materialismo intertextualidade barroco |
| title | The sequestering of Italian Baroque: Botelho and Padre Spada hidden translation |
| title_full | The sequestering of Italian Baroque: Botelho and Padre Spada hidden translation |
| title_fullStr | The sequestering of Italian Baroque: Botelho and Padre Spada hidden translation |
| title_full_unstemmed | The sequestering of Italian Baroque: Botelho and Padre Spada hidden translation |
| title_short | The sequestering of Italian Baroque: Botelho and Padre Spada hidden translation |
| title_sort | sequestering of italian baroque botelho and padre spada hidden translation |
| topic | materialismo intertextualidade barroco |
| url | https://periodicos.ufsc.br/index.php/traducao/article/view/45507 |
| work_keys_str_mv | AT yuribrunello thesequesteringofitalianbaroquebotelhoandpadrespadahiddentranslation AT yuribrunello sequesteringofitalianbaroquebotelhoandpadrespadahiddentranslation |