Against Post-cinema
This essay contests one version of the post-cinema thesis, namely, that the cinema is no longer a distinct medium because it has merged with other media into a monomedium of digital code or software due to digital technology. The cinema remains a distinct medium, the authors argue, identified and i...
Main Authors: | Ted Nannicelli, Malcom Turvey |
---|---|
Format: | Article |
Language: | English |
Published: |
Milano University Press
2016-10-01
|
Series: | Cinéma & Cie |
Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16444 |
Similar Items
-
Aesthetic Education: A Perceptual-Cognitive Model
by: Ted Nannicelli
Published: (2024-01-01) -
Seria o roteiro uma obra de arte?
by: Ted Nannicelli
Published: (2021-10-01) -
Otro tipo de recompensa narrativa: el concepto de “prolongación temporal” como superación de la serialidad televisiva
by: Alberto Nahum García Martínez, et al.
Published: (2021-10-01) -
Denial: David Irving, and the Complexities of Representing a Holocaust Denier
by: Kirril Shields, et al.
Published: (2018-12-01) -
From Taiwan New Cinema to Post-New Cinema: The Transition of Identity in Cape No. 7 and the Naming Issue of Post-New Cinema
by: Pan Yi-ling
Published: (2021-12-01)