The futuristic theatrical aesthetic in parole by Remo Chiti

Through the performance of a critical translation, we will inquire into the aesthetic nature of the theatrical text Parole of Remo Chiti. We will question how the text presents the characteristics inherent to the aesthetics of the Italian futurist movement, more specifically of the futurist syntheti...

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Main Author: Camila Beatriz Nardelli
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2019-05-01
Series:Cadernos de Tradução
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/traducao/article/view/56159
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author Camila Beatriz Nardelli
author_facet Camila Beatriz Nardelli
author_sort Camila Beatriz Nardelli
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description Through the performance of a critical translation, we will inquire into the aesthetic nature of the theatrical text Parole of Remo Chiti. We will question how the text presents the characteristics inherent to the aesthetics of the Italian futurist movement, more specifically of the futurist synthetic theater, to which it is not only bound, but is presented as an example of its aesthetic expression in the Italian magazine Sipario in the double volume dedicated to futurist movement. The source text, Parole, is presented in Italian and will be translated into Brazilian Portuguese. Since translation is a delicate and complex task, we will mainly use the theories of translation of theatrical texts presented by Patrice Pavis (2008) and Susan Bassnett (2003). We will reflect on the main statements contained in the following Futurist “manifesti”: The Futurist Synthetic Theater (1915) and The Futurist Playwriters Manifesto (1911).
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spelling doaj.art-d902e916c2754d3f8afecc9cd6d9a2252022-12-22T01:40:28ZengUniversidade Federal de Santa CatarinaCadernos de Tradução2175-79682019-05-01392487010.5007/2175-7968.2019v39n2p4829899The futuristic theatrical aesthetic in parole by Remo ChitiCamila Beatriz Nardelli0Universidade do Estado de Santa Catarina, Florianópolis, Santa CatarinaThrough the performance of a critical translation, we will inquire into the aesthetic nature of the theatrical text Parole of Remo Chiti. We will question how the text presents the characteristics inherent to the aesthetics of the Italian futurist movement, more specifically of the futurist synthetic theater, to which it is not only bound, but is presented as an example of its aesthetic expression in the Italian magazine Sipario in the double volume dedicated to futurist movement. The source text, Parole, is presented in Italian and will be translated into Brazilian Portuguese. Since translation is a delicate and complex task, we will mainly use the theories of translation of theatrical texts presented by Patrice Pavis (2008) and Susan Bassnett (2003). We will reflect on the main statements contained in the following Futurist “manifesti”: The Futurist Synthetic Theater (1915) and The Futurist Playwriters Manifesto (1911).https://periodicos.ufsc.br/index.php/traducao/article/view/56159Teatro sintéticoFuturismoTraduçãoEstética
spellingShingle Camila Beatriz Nardelli
The futuristic theatrical aesthetic in parole by Remo Chiti
Cadernos de Tradução
Teatro sintético
Futurismo
Tradução
Estética
title The futuristic theatrical aesthetic in parole by Remo Chiti
title_full The futuristic theatrical aesthetic in parole by Remo Chiti
title_fullStr The futuristic theatrical aesthetic in parole by Remo Chiti
title_full_unstemmed The futuristic theatrical aesthetic in parole by Remo Chiti
title_short The futuristic theatrical aesthetic in parole by Remo Chiti
title_sort futuristic theatrical aesthetic in parole by remo chiti
topic Teatro sintético
Futurismo
Tradução
Estética
url https://periodicos.ufsc.br/index.php/traducao/article/view/56159
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