Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth

All good ghost stories strike us as immediately familiar. As Shakespeare’s heirs, we know the story well, but from where? Is that Macbeth we see before us, his hand on Duncan’s door? Or do we spy on Brutus, reading a cryptic message in his balmy Mediterranean orchard? ‘Speak, strike, redress.’ The l...

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Bibliographic Details
Main Author: Lizz Angelo
Format: Article
Language:English
Published: University of Edinburgh 2008-12-01
Series:Forum
Online Access:http://journals.ed.ac.uk/forum/article/view/608
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author Lizz Angelo
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author_sort Lizz Angelo
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description All good ghost stories strike us as immediately familiar. As Shakespeare’s heirs, we know the story well, but from where? Is that Macbeth we see before us, his hand on Duncan’s door? Or do we spy on Brutus, reading a cryptic message in his balmy Mediterranean orchard? ‘Speak, strike, redress.’ The lightning suddenly becomes a meteor shower raining down on Rome. Perhaps we still misread—we see not Macbeth, nor Brutus, but Tarquin, the last Roman prince, stealing into Collatine’s room to rape his wife. The light dims to a candle flame—but only for a moment, until it falls prey to a cold tongue of midnight air. For four centuries, we have read this way, dissecting Shakespeare’s tragic protagonists backwards, opening first their souls, then their minds, and, finally, their bodies to our critical gaze. More recent scholarship implores us to rethink the reading and writing of history and explore alternative histories, especially the histories of nature, of objects, of things.
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spelling doaj.art-d9d195cfdb364f6ca18ef0dab92ee7b72022-12-22T16:25:30ZengUniversity of EdinburghForum1749-97712008-12-010710.2218/forum.07.608608Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and MacbethLizz Angelo0University of South FloridaAll good ghost stories strike us as immediately familiar. As Shakespeare’s heirs, we know the story well, but from where? Is that Macbeth we see before us, his hand on Duncan’s door? Or do we spy on Brutus, reading a cryptic message in his balmy Mediterranean orchard? ‘Speak, strike, redress.’ The lightning suddenly becomes a meteor shower raining down on Rome. Perhaps we still misread—we see not Macbeth, nor Brutus, but Tarquin, the last Roman prince, stealing into Collatine’s room to rape his wife. The light dims to a candle flame—but only for a moment, until it falls prey to a cold tongue of midnight air. For four centuries, we have read this way, dissecting Shakespeare’s tragic protagonists backwards, opening first their souls, then their minds, and, finally, their bodies to our critical gaze. More recent scholarship implores us to rethink the reading and writing of history and explore alternative histories, especially the histories of nature, of objects, of things.http://journals.ed.ac.uk/forum/article/view/608
spellingShingle Lizz Angelo
Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth
Forum
title Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth
title_full Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth
title_fullStr Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth
title_full_unstemmed Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth
title_short Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth
title_sort moving like a ghost tarquin s specter and agentive objects in the rape of lucrece julius caesar and macbeth
url http://journals.ed.ac.uk/forum/article/view/608
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