Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata
Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique ca...
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Format: | Article |
Language: | English |
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Milano University Press
2020-12-01
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Series: | Itinera |
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Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/14922 |
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author | Daniela Sacco |
author_facet | Daniela Sacco |
author_sort | Daniela Sacco |
collection | DOAJ |
description | Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique case study shedding light on that phenomenon and causing us to rethink some long-standing principles of aesthetics. |
first_indexed | 2024-03-12T19:32:58Z |
format | Article |
id | doaj.art-d9d866a97a774ea8bec90a2e022c1092 |
institution | Directory Open Access Journal |
issn | 2039-9251 |
language | English |
last_indexed | 2024-03-12T19:32:58Z |
publishDate | 2020-12-01 |
publisher | Milano University Press |
record_format | Article |
series | Itinera |
spelling | doaj.art-d9d866a97a774ea8bec90a2e022c10922023-08-02T04:24:56ZengMilano University PressItinera2039-92512020-12-012010.13130/2039-9251/14922Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s KanataDaniela Sacco0Università degli Studi di MilanoObserving the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique case study shedding light on that phenomenon and causing us to rethink some long-standing principles of aesthetics.https://riviste.unimi.it/index.php/itinera/article/view/14922cultural appropriation, aesthetics, theatre, First Nations, Robert Lepage and Ariadne Mnouchkine, Quebec, Canada. |
spellingShingle | Daniela Sacco Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata Itinera cultural appropriation, aesthetics, theatre, First Nations, Robert Lepage and Ariadne Mnouchkine, Quebec, Canada. |
title | Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_full | Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_fullStr | Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_full_unstemmed | Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_short | Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_sort | cultural appropriation and theatre rethinking aesthetics starting with the case of robert lepage s kanata |
topic | cultural appropriation, aesthetics, theatre, First Nations, Robert Lepage and Ariadne Mnouchkine, Quebec, Canada. |
url | https://riviste.unimi.it/index.php/itinera/article/view/14922 |
work_keys_str_mv | AT danielasacco culturalappropriationandtheatrerethinkingaestheticsstartingwiththecaseofrobertlepageskanata |