Das Johann Adolf Hasse zugeschriebene Passions-Oratorium La morte di Cristo und seine musikhistorische Einordnung
The passion oratorio La morte di Cristo, attributed in two German sources from the late 18th or early 19th century to Johann Adolf Hasse, was identified in 1976 by Reinhard Strohm as a sacred pasticcio, based on opera arias by Hasse and other composers of the Neapolitan school like Francesco Feo and...
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| Format: | Article |
| Language: | ces |
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Masaryk University, Faculty of Arts
2018-12-01
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| Series: | Musicologica Brunensia |
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| Online Access: | https://journals.phil.muni.cz/musicologica-brunensia/article/view/23918 |