Early Modern Crime Literature: Ideology, Emotions and Social Norms

Early Modern Crime Literature: Ideology, Emotions and Social Norms delves into the complex relation between early modern crime and its literary representations in the light of an episteme that was characterised by contrasting ideologies, forms of transgression and their containment. It explores the...

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Bibliographic Details
Main Authors: Maurizio Ascari, Gilberta Golinelli
Format: Article
Language:English
Published: Firenze University Press 2021-03-01
Series:Journal of Early Modern Studies
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-jems/article/view/12537
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author Maurizio Ascari
Gilberta Golinelli
author_facet Maurizio Ascari
Gilberta Golinelli
author_sort Maurizio Ascari
collection DOAJ
description Early Modern Crime Literature: Ideology, Emotions and Social Norms delves into the complex relation between early modern crime and its literary representations in the light of an episteme that was characterised by contrasting ideologies, forms of transgression and their containment. It explores the multi-layered, polyphonic and porous nature of crime literature as dynamised by social and cultural changes, positioning it within a shifting geometry of religious and political conflicts, class and gender divides and negotiations, genres and market forces. It also discusses the unstable status of criminals, ranging from the abject to the ambivalent to proto-mass-cultural forms of personality cult pivoting on deviance from social norms.
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spelling doaj.art-d9fd9a85c1fc46c88f2f4cf9dae39dad2022-12-22T04:11:26ZengFirenze University PressJournal of Early Modern Studies2279-71492021-03-011010.13128/jems-2279-7149-12537Early Modern Crime Literature: Ideology, Emotions and Social NormsMaurizio Ascari0Gilberta Golinelli1University of BolognaUniversity of BolognaEarly Modern Crime Literature: Ideology, Emotions and Social Norms delves into the complex relation between early modern crime and its literary representations in the light of an episteme that was characterised by contrasting ideologies, forms of transgression and their containment. It explores the multi-layered, polyphonic and porous nature of crime literature as dynamised by social and cultural changes, positioning it within a shifting geometry of religious and political conflicts, class and gender divides and negotiations, genres and market forces. It also discusses the unstable status of criminals, ranging from the abject to the ambivalent to proto-mass-cultural forms of personality cult pivoting on deviance from social norms.https://oajournals.fupress.net/index.php/bsfm-jems/article/view/12537Crime LiteratureGenderIdeologySurveillanceTransgression
spellingShingle Maurizio Ascari
Gilberta Golinelli
Early Modern Crime Literature: Ideology, Emotions and Social Norms
Journal of Early Modern Studies
Crime Literature
Gender
Ideology
Surveillance
Transgression
title Early Modern Crime Literature: Ideology, Emotions and Social Norms
title_full Early Modern Crime Literature: Ideology, Emotions and Social Norms
title_fullStr Early Modern Crime Literature: Ideology, Emotions and Social Norms
title_full_unstemmed Early Modern Crime Literature: Ideology, Emotions and Social Norms
title_short Early Modern Crime Literature: Ideology, Emotions and Social Norms
title_sort early modern crime literature ideology emotions and social norms
topic Crime Literature
Gender
Ideology
Surveillance
Transgression
url https://oajournals.fupress.net/index.php/bsfm-jems/article/view/12537
work_keys_str_mv AT maurizioascari earlymoderncrimeliteratureideologyemotionsandsocialnorms
AT gilbertagolinelli earlymoderncrimeliteratureideologyemotionsandsocialnorms