The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer Identity

This article deals with issues of diversity and “visibility politics” in contemporary American middlebrow television. The focus here is specifically how the reboots of Hawaii Five-0 approach these issues. This article uses the gender swap Magnum, P.I., where Higgins (John Hillerman/Perdita Weeks) is...

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Main Author: Jenner Mareike
Format: Article
Language:English
Published: De Gruyter 2023-10-01
Series:Open Cultural Studies
Subjects:
Online Access:https://doi.org/10.1515/culture-2022-0189
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author Jenner Mareike
author_facet Jenner Mareike
author_sort Jenner Mareike
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description This article deals with issues of diversity and “visibility politics” in contemporary American middlebrow television. The focus here is specifically how the reboots of Hawaii Five-0 approach these issues. This article uses the gender swap Magnum, P.I., where Higgins (John Hillerman/Perdita Weeks) is rendered female, as an example to explore how feminism and queer visibility are pitted against each other, while being rendered politically mute. While contemporary US middlebrow TV features a lot of racial, gender, and body and ability diversity, many of these issues are approached as visual rather than political. Drawing on different theories on representation and visibility of marginalised groups, this article argues that middlebrow TV reboots aim for a higher degree of inclusion than original series, without fully responding to the political agendas linked to equality and civil rights. Reducing political issues to questions of visibility results in a “flattening out” of goals White maintaining an ideology of “political neutrality.”
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spelling doaj.art-da002bad1c464e15b4eb9ca4babfd03f2023-10-16T06:06:04ZengDe GruyterOpen Cultural Studies2451-34742023-10-0171pp. 425910.1515/culture-2022-0189The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer IdentityJenner Mareike0Anglia Ruskin University, Cambridge, United KingdomThis article deals with issues of diversity and “visibility politics” in contemporary American middlebrow television. The focus here is specifically how the reboots of Hawaii Five-0 approach these issues. This article uses the gender swap Magnum, P.I., where Higgins (John Hillerman/Perdita Weeks) is rendered female, as an example to explore how feminism and queer visibility are pitted against each other, while being rendered politically mute. While contemporary US middlebrow TV features a lot of racial, gender, and body and ability diversity, many of these issues are approached as visual rather than political. Drawing on different theories on representation and visibility of marginalised groups, this article argues that middlebrow TV reboots aim for a higher degree of inclusion than original series, without fully responding to the political agendas linked to equality and civil rights. Reducing political issues to questions of visibility results in a “flattening out” of goals White maintaining an ideology of “political neutrality.”https://doi.org/10.1515/culture-2022-0189middlebrow tvgender swapvisibility politics
spellingShingle Jenner Mareike
The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer Identity
Open Cultural Studies
middlebrow tv
gender swap
visibility politics
title The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer Identity
title_full The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer Identity
title_fullStr The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer Identity
title_full_unstemmed The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer Identity
title_short The Case of John and Juliet: TV Reboots, Gender Swaps, and the Denial of Queer Identity
title_sort case of john and juliet tv reboots gender swaps and the denial of queer identity
topic middlebrow tv
gender swap
visibility politics
url https://doi.org/10.1515/culture-2022-0189
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