Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary

During the opening decades of the twentieth century, William Hope was a well-respected medium amongst the spiritualist community in Britain, with positive endorsements from major scientific figures such as the chemist William Crookes and the author and physician Arthur Conan Doyle. Hope was often se...

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Main Author: Efram Sera-Shriar
Format: Article
Language:English
Published: Science Museum, London 2022-04-01
Series:Science Museum Group Journal
Subjects:
Online Access:http://journal.sciencemuseum.ac.uk/browse/issue-17/photographic-plates-and-spirit-fakes/
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author Efram Sera-Shriar
author_facet Efram Sera-Shriar
author_sort Efram Sera-Shriar
collection DOAJ
description During the opening decades of the twentieth century, William Hope was a well-respected medium amongst the spiritualist community in Britain, with positive endorsements from major scientific figures such as the chemist William Crookes and the author and physician Arthur Conan Doyle. Hope was often seen as one of the few mediums to be able to produce authentic spirit photographs. However, all that changed in late February 1922 when the magician-turned-psychical researcher Harry Price claimed to have caught Hope cheating during a sitting, by discovering that he was swapping blank photographic plates for ones with supposed spirit ‘extras’ already on them. Hope was publicly exposed as a fraud, and what ensued was a major debate between believers and sceptics over the legitimacy of the medium’s alleged spirit photography. The Hope-Price affair became a media sensation in the months that ensued, with a series of articles about the investigation and its aftermath appearing in the major spiritualist magazine Light. While much has been written about the Hope-Price affair as a key example of fake mediumship, most of these accounts tend to prioritise the sceptic’s perspective, with little attention paid to spiritualist responses. This paper will provide a more balanced narrative, focusing on one of the main criticisms of Hope’s defenders at the time: the credibility of Price’s testimony. Because Price actively misled Hope and his associates in a bid to catch the medium cheating, his trustworthiness as an objective observer and investigator of extraordinary phenomena was questioned. Key to this analysis is the essential role material evidence played in this case, with particular emphasis on the photographic technologies and processes used.
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spelling doaj.art-da18065d3a3e4d9fa196f888f1a313942022-12-22T00:10:13ZengScience Museum, LondonScience Museum Group Journal2054-57702022-04-011710.15180/221707Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenaryEfram Sera-Shriar0Durham UniversityDuring the opening decades of the twentieth century, William Hope was a well-respected medium amongst the spiritualist community in Britain, with positive endorsements from major scientific figures such as the chemist William Crookes and the author and physician Arthur Conan Doyle. Hope was often seen as one of the few mediums to be able to produce authentic spirit photographs. However, all that changed in late February 1922 when the magician-turned-psychical researcher Harry Price claimed to have caught Hope cheating during a sitting, by discovering that he was swapping blank photographic plates for ones with supposed spirit ‘extras’ already on them. Hope was publicly exposed as a fraud, and what ensued was a major debate between believers and sceptics over the legitimacy of the medium’s alleged spirit photography. The Hope-Price affair became a media sensation in the months that ensued, with a series of articles about the investigation and its aftermath appearing in the major spiritualist magazine Light. While much has been written about the Hope-Price affair as a key example of fake mediumship, most of these accounts tend to prioritise the sceptic’s perspective, with little attention paid to spiritualist responses. This paper will provide a more balanced narrative, focusing on one of the main criticisms of Hope’s defenders at the time: the credibility of Price’s testimony. Because Price actively misled Hope and his associates in a bid to catch the medium cheating, his trustworthiness as an objective observer and investigator of extraordinary phenomena was questioned. Key to this analysis is the essential role material evidence played in this case, with particular emphasis on the photographic technologies and processes used.http://journal.sciencemuseum.ac.uk/browse/issue-17/photographic-plates-and-spirit-fakes/spiritualismspirit photographyharry pricewilliam hopepsychical researchmediumshipscientific testimony
spellingShingle Efram Sera-Shriar
Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary
Science Museum Group Journal
spiritualism
spirit photography
harry price
william hope
psychical research
mediumship
scientific testimony
title Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary
title_full Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary
title_fullStr Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary
title_full_unstemmed Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary
title_short Photographic plates and spirit fakes: remembering Harry Price’s investigation of William Hope’s spirit photography at its centenary
title_sort photographic plates and spirit fakes remembering harry price s investigation of william hope s spirit photography at its centenary
topic spiritualism
spirit photography
harry price
william hope
psychical research
mediumship
scientific testimony
url http://journal.sciencemuseum.ac.uk/browse/issue-17/photographic-plates-and-spirit-fakes/
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