Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions

This essay is about Julio Cortázar's literary that concerns shifted notably from his early concern with art and artistic expression to the strong political commitment of his later work. Despite this shift, certain basic ontological questions remained constant, questions that coincide with those...

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Main Author: Lois Parkinson Zamora
Format: Article
Language:English
Published: Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México (UNAM) 1996-12-01
Series:Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada
Subjects:
Online Access:http://revistas.filos.unam.mx/index.php/nuevaspoligrafias/article/view/1581
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author Lois Parkinson Zamora
author_facet Lois Parkinson Zamora
author_sort Lois Parkinson Zamora
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description This essay is about Julio Cortázar's literary that concerns shifted notably from his early concern with art and artistic expression to the strong political commitment of his later work. Despite this shift, certain basic ontological questions remained constant, questions that coincide with those of the French phenomenologist Maurice Merleau-Ponty and may be stated generally as follows: how do embodied human beings experience the world, and how do they know and express that experience? For Merleau-Ponty, being is being-in-the-world, for Cortázar, art is the expression of being-in-the-world in the sense that Merleau-Ponty intends.
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publishDate 1996-12-01
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spelling doaj.art-da30ccbfc3774864a261a5455d6f932f2023-01-12T17:52:19ZengFacultad de Filosofía y Letras, Universidad Nacional Autónoma de México (UNAM)Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada2954-40761996-12-01110.22201/ffyl.poligrafias.1996.1.1581Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al FictionsLois Parkinson ZamoraThis essay is about Julio Cortázar's literary that concerns shifted notably from his early concern with art and artistic expression to the strong political commitment of his later work. Despite this shift, certain basic ontological questions remained constant, questions that coincide with those of the French phenomenologist Maurice Merleau-Ponty and may be stated generally as follows: how do embodied human beings experience the world, and how do they know and express that experience? For Merleau-Ponty, being is being-in-the-world, for Cortázar, art is the expression of being-in-the-world in the sense that Merleau-Ponty intends. http://revistas.filos.unam.mx/index.php/nuevaspoligrafias/article/view/1581Julio CortázarMaurice Merleau PontyontologyphenomenologyRayuelaHistoria de cronopios y de famas
spellingShingle Lois Parkinson Zamora
Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada
Julio Cortázar
Maurice Merleau Ponty
ontology
phenomenology
Rayuela
Historia de cronopios y de famas
title Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
title_full Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
title_fullStr Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
title_full_unstemmed Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
title_short Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
title_sort maurice merleau ponty and cortazar s phenomen ologic al fictions
topic Julio Cortázar
Maurice Merleau Ponty
ontology
phenomenology
Rayuela
Historia de cronopios y de famas
url http://revistas.filos.unam.mx/index.php/nuevaspoligrafias/article/view/1581
work_keys_str_mv AT loisparkinsonzamora mauricemerleaupontyandcortazarsphenomenologicalfictions