Extension, Variability, and Normativity: Deniz Peters on Musical Experience
In his essay, "Musical Empathy, Emotional Co-Constitution, and the 'Musical Other,'" Deniz Peters aims to present a non-reductive account of musical empathy in musical experience that takes seriously the contributions of bodily experience through what he terms "emotional co-...
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Format: | Article |
Language: | English |
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The Ohio State University Libraries
2015-09-01
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Series: | Empirical Musicology Review |
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Online Access: | https://doi.org/10.18061/emr.v10i1-2.4575 |
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author | Philip Alperson |
author_facet | Philip Alperson |
author_sort | Philip Alperson |
collection | DOAJ |
description | In his essay, "Musical Empathy, Emotional Co-Constitution, and the 'Musical Other,'" Deniz Peters aims to present a non-reductive account of musical empathy in musical experience that takes seriously the contributions of bodily experience through what he terms "emotional co-constitution." I set Peters' view in the context of what I call the Structural Object Model of musical experience and elaborate on some of the challenges Peters' essay raises for both theoretical and empirical research on musical experience, concentrating on implications concerning ranges of cases covered by the theory, the variability of listeners' experiences, the normativity of the theory, musical sophistication, and the cultural roots of musical experience. |
first_indexed | 2024-12-22T20:36:28Z |
format | Article |
id | doaj.art-da93145ae1044839b65f8bc8d572b72e |
institution | Directory Open Access Journal |
issn | 1559-5749 |
language | English |
last_indexed | 2024-12-22T20:36:28Z |
publishDate | 2015-09-01 |
publisher | The Ohio State University Libraries |
record_format | Article |
series | Empirical Musicology Review |
spelling | doaj.art-da93145ae1044839b65f8bc8d572b72e2022-12-21T18:13:27ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492015-09-01101-2162210.18061/emr.v10i1-2.4575Extension, Variability, and Normativity: Deniz Peters on Musical ExperiencePhilip Alperson0Temple UniversityIn his essay, "Musical Empathy, Emotional Co-Constitution, and the 'Musical Other,'" Deniz Peters aims to present a non-reductive account of musical empathy in musical experience that takes seriously the contributions of bodily experience through what he terms "emotional co-constitution." I set Peters' view in the context of what I call the Structural Object Model of musical experience and elaborate on some of the challenges Peters' essay raises for both theoretical and empirical research on musical experience, concentrating on implications concerning ranges of cases covered by the theory, the variability of listeners' experiences, the normativity of the theory, musical sophistication, and the cultural roots of musical experience.https://doi.org/10.18061/emr.v10i1-2.4575experienceperceptionextensionnormativityreductionismsophistication |
spellingShingle | Philip Alperson Extension, Variability, and Normativity: Deniz Peters on Musical Experience Empirical Musicology Review experience perception extension normativity reductionism sophistication |
title | Extension, Variability, and Normativity: Deniz Peters on Musical Experience |
title_full | Extension, Variability, and Normativity: Deniz Peters on Musical Experience |
title_fullStr | Extension, Variability, and Normativity: Deniz Peters on Musical Experience |
title_full_unstemmed | Extension, Variability, and Normativity: Deniz Peters on Musical Experience |
title_short | Extension, Variability, and Normativity: Deniz Peters on Musical Experience |
title_sort | extension variability and normativity deniz peters on musical experience |
topic | experience perception extension normativity reductionism sophistication |
url | https://doi.org/10.18061/emr.v10i1-2.4575 |
work_keys_str_mv | AT philipalperson extensionvariabilityandnormativitydenizpetersonmusicalexperience |