Extension, Variability, and Normativity: Deniz Peters on Musical Experience

In his essay, "Musical Empathy, Emotional Co-Constitution, and the 'Musical Other,'" Deniz Peters aims to present a non-reductive account of musical empathy in musical experience that takes seriously the contributions of bodily experience through what he terms "emotional co-...

Full description

Bibliographic Details
Main Author: Philip Alperson
Format: Article
Language:English
Published: The Ohio State University Libraries 2015-09-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://doi.org/10.18061/emr.v10i1-2.4575
_version_ 1819174280227717120
author Philip Alperson
author_facet Philip Alperson
author_sort Philip Alperson
collection DOAJ
description In his essay, "Musical Empathy, Emotional Co-Constitution, and the 'Musical Other,'" Deniz Peters aims to present a non-reductive account of musical empathy in musical experience that takes seriously the contributions of bodily experience through what he terms "emotional co-constitution." I set Peters' view in the context of what I call the Structural Object Model of musical experience and elaborate on some of the challenges Peters' essay raises for both theoretical and empirical research on musical experience, concentrating on implications concerning ranges of cases covered by the theory, the variability of listeners' experiences, the normativity of the theory, musical sophistication, and the cultural roots of musical experience.
first_indexed 2024-12-22T20:36:28Z
format Article
id doaj.art-da93145ae1044839b65f8bc8d572b72e
institution Directory Open Access Journal
issn 1559-5749
language English
last_indexed 2024-12-22T20:36:28Z
publishDate 2015-09-01
publisher The Ohio State University Libraries
record_format Article
series Empirical Musicology Review
spelling doaj.art-da93145ae1044839b65f8bc8d572b72e2022-12-21T18:13:27ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492015-09-01101-2162210.18061/emr.v10i1-2.4575Extension, Variability, and Normativity: Deniz Peters on Musical ExperiencePhilip Alperson0Temple UniversityIn his essay, "Musical Empathy, Emotional Co-Constitution, and the 'Musical Other,'" Deniz Peters aims to present a non-reductive account of musical empathy in musical experience that takes seriously the contributions of bodily experience through what he terms "emotional co-constitution." I set Peters' view in the context of what I call the Structural Object Model of musical experience and elaborate on some of the challenges Peters' essay raises for both theoretical and empirical research on musical experience, concentrating on implications concerning ranges of cases covered by the theory, the variability of listeners' experiences, the normativity of the theory, musical sophistication, and the cultural roots of musical experience.https://doi.org/10.18061/emr.v10i1-2.4575experienceperceptionextensionnormativityreductionismsophistication
spellingShingle Philip Alperson
Extension, Variability, and Normativity: Deniz Peters on Musical Experience
Empirical Musicology Review
experience
perception
extension
normativity
reductionism
sophistication
title Extension, Variability, and Normativity: Deniz Peters on Musical Experience
title_full Extension, Variability, and Normativity: Deniz Peters on Musical Experience
title_fullStr Extension, Variability, and Normativity: Deniz Peters on Musical Experience
title_full_unstemmed Extension, Variability, and Normativity: Deniz Peters on Musical Experience
title_short Extension, Variability, and Normativity: Deniz Peters on Musical Experience
title_sort extension variability and normativity deniz peters on musical experience
topic experience
perception
extension
normativity
reductionism
sophistication
url https://doi.org/10.18061/emr.v10i1-2.4575
work_keys_str_mv AT philipalperson extensionvariabilityandnormativitydenizpetersonmusicalexperience