Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkwe
Through the case of an Ivorian slit drum from the French national collections promised for restitution, the article questions the way in which the story of a so-called “ill-gotten” artifact can be presented to a general audience, and also how it can be linked to the concept of the Rashōmon effect. T...
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| Format: | Article |
| Language: | English |
| Published: |
OpenEdition
2023-12-01
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| Series: | Afrique Archéologie Arts |
| Subjects: | |
| Online Access: | http://journals.openedition.org/aaa/5036 |
| _version_ | 1797360479919669248 |
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| author | Julien Volper |
| author_facet | Julien Volper |
| author_sort | Julien Volper |
| collection | DOAJ |
| description | Through the case of an Ivorian slit drum from the French national collections promised for restitution, the article questions the way in which the story of a so-called “ill-gotten” artifact can be presented to a general audience, and also how it can be linked to the concept of the Rashōmon effect. The facts, but also the questions, emerging from the author’s iconographic and bibliographic analysis tend to demonstrate the complexity of these stories concerning the life of objects that it is sometimes tempting to simplify. |
| first_indexed | 2024-03-08T15:40:17Z |
| format | Article |
| id | doaj.art-daa2e6026258470ab0c2d0c3e6fda046 |
| institution | Directory Open Access Journal |
| issn | 2431-2045 |
| language | English |
| last_indexed | 2024-03-08T15:40:17Z |
| publishDate | 2023-12-01 |
| publisher | OpenEdition |
| record_format | Article |
| series | Afrique Archéologie Arts |
| spelling | doaj.art-daa2e6026258470ab0c2d0c3e6fda0462024-01-09T15:19:56ZengOpenEditionAfrique Archéologie Arts2431-20452023-12-011910111810.4000/aaa.5036Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkweJulien VolperThrough the case of an Ivorian slit drum from the French national collections promised for restitution, the article questions the way in which the story of a so-called “ill-gotten” artifact can be presented to a general audience, and also how it can be linked to the concept of the Rashōmon effect. The facts, but also the questions, emerging from the author’s iconographic and bibliographic analysis tend to demonstrate the complexity of these stories concerning the life of objects that it is sometimes tempting to simplify.http://journals.openedition.org/aaa/5036RestitutionsTchamanDrumswarprophetismcolonization |
| spellingShingle | Julien Volper Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkwe Afrique Archéologie Arts Restitutions Tchaman Drums war prophetism colonization |
| title | Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkwe |
| title_full | Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkwe |
| title_fullStr | Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkwe |
| title_full_unstemmed | Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkwe |
| title_short | Divergences de récits et zones d’ombre autour du tambour ivoirien dit djidji ayôkwe |
| title_sort | divergences de recits et zones d ombre autour du tambour ivoirien dit djidji ayokwe |
| topic | Restitutions Tchaman Drums war prophetism colonization |
| url | http://journals.openedition.org/aaa/5036 |
| work_keys_str_mv | AT julienvolper divergencesderecitsetzonesdombreautourdutambourivoirienditdjidjiayokwe |