Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»

Patrick Süskind’s Das Parfum: Die Geschichte eines Mörders presents a sort of Janus-figure, gazing backwards toward the primitive form of life (Grenouille’s Romantic deliverance) and forward toward an Enlightenment anthropocentric mechanism (an allusion to negative aesthetics) which reveals the form...

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Main Author: Justine Shu-Ting Kao
Format: Article
Language:deu
Published: Milano University Press 2020-11-01
Series:Studia theodisca
Online Access:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/14565
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author Justine Shu-Ting Kao
author_facet Justine Shu-Ting Kao
author_sort Justine Shu-Ting Kao
collection DOAJ
description Patrick Süskind’s Das Parfum: Die Geschichte eines Mörders presents a sort of Janus-figure, gazing backwards toward the primitive form of life (Grenouille’s Romantic deliverance) and forward toward an Enlightenment anthropocentric mechanism (an allusion to negative aesthetics) which reveals the formation and dissolution of political power through the olfactory experiences of the protagonist. In other words, it concerns the two worlds between which there is an unknown force transforming all olfactory manipulation/experimentation into nothingness: as men scheme their evil business through objects or scents, a greater force then deconstructs those schemes.
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spelling doaj.art-daad8d102552437985d56b96f00032cd2023-09-03T02:38:23ZdeuMilano University PressStudia theodisca1593-24782385-29172020-11-012710.13130/1593-2478/14565Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»Justine Shu-Ting Kao0Tamkang University, TaiwanPatrick Süskind’s Das Parfum: Die Geschichte eines Mörders presents a sort of Janus-figure, gazing backwards toward the primitive form of life (Grenouille’s Romantic deliverance) and forward toward an Enlightenment anthropocentric mechanism (an allusion to negative aesthetics) which reveals the formation and dissolution of political power through the olfactory experiences of the protagonist. In other words, it concerns the two worlds between which there is an unknown force transforming all olfactory manipulation/experimentation into nothingness: as men scheme their evil business through objects or scents, a greater force then deconstructs those schemes.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/14565
spellingShingle Justine Shu-Ting Kao
Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»
Studia theodisca
title Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»
title_full Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»
title_fullStr Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»
title_full_unstemmed Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»
title_short Olfactory Experiences and an Unknown Force in Patrick Süskind’s «Das Parfum: Die Geschichte eines Mörders»
title_sort olfactory experiences and an unknown force in patrick suskind s das parfum die geschichte eines morders
url https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/14565
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