Explaining the relationship between art and nature in Schelling's philosophy
To achieve the common origin of "I" and nature, Schelling takes a new approach to the philosophy of nature; demonstrating the falsity of dualism between "I" and nature and showing how nature cannot be reduced to a mechanistic series of causes and effects. By integrating Leibniz&#...
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| Format: | Article |
| Language: | English |
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University of Tabriz, Faculty of Literature and Forigen Languages
2021-08-01
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| Series: | Journal of Philosophical Investigations |
| Subjects: | |
| Online Access: | https://philosophy.tabrizu.ac.ir/article_12904_1b0d752139f6f2a12645ffe83117ae10.pdf |
| _version_ | 1797696083450658816 |
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| author | Roxana Riahi Ali Moradkhani Mohammad Shokri |
| author_facet | Roxana Riahi Ali Moradkhani Mohammad Shokri |
| author_sort | Roxana Riahi |
| collection | DOAJ |
| description | To achieve the common origin of "I" and nature, Schelling takes a new approach to the philosophy of nature; demonstrating the falsity of dualism between "I" and nature and showing how nature cannot be reduced to a mechanistic series of causes and effects. By integrating Leibniz's principle of inner purposiveness, Spinoza's monism, and the Kantian concept of teleology, he interprets an organic idea of nature as a totality and founds "I" on the ground of this organic nature. Schelling turns to Leibniz's vitalistic philosophy for presents a self-organizing scheme of nature, and he uses the intensive doctrine of substance to overcome the dualism of modern philosophy. In this view, the parts are to be deduced, in a purely analytic way from the whole, and each unit must include an infinite plurality, so the difference between subject and object is in degree, not in type; Nature is all alive, and no real object is entirely inorganic but is only in a lower degree of organic. In Schilling's point of view, the highest degree of organization of the infinite is the creativity of the artist, who is the culmination of all the organic forces of nature. The main question of this essay is about the fundamental role of Schelling's organic interpretation in his aesthetic essence. in this regard, while the impact of Leibniz's vitalistic approach is analyzed, the reinforcement of the activity of "I" in Schilling's system of thought is examined. |
| first_indexed | 2024-03-12T03:21:28Z |
| format | Article |
| id | doaj.art-dace50fe675544768a7881ddb46d94a9 |
| institution | Directory Open Access Journal |
| issn | 2251-7960 2423-4419 |
| language | English |
| last_indexed | 2024-03-12T03:21:28Z |
| publishDate | 2021-08-01 |
| publisher | University of Tabriz, Faculty of Literature and Forigen Languages |
| record_format | Article |
| series | Journal of Philosophical Investigations |
| spelling | doaj.art-dace50fe675544768a7881ddb46d94a92023-09-03T13:58:41ZengUniversity of Tabriz, Faculty of Literature and Forigen LanguagesJournal of Philosophical Investigations2251-79602423-44192021-08-0115359711410.22034/jpiut.2021.43136.272912904Explaining the relationship between art and nature in Schelling's philosophyRoxana Riahi0Ali Moradkhani1Mohammad Shokri2PhD Candidate of philosophy of art, North Tehran Branch, Islamic Azad University, Tehran, Iran.Associate Professor, Department of philosophy, North Tehran Branch, Islamic Azad University, Tehran. Iran.,Assistant Professor, Department of philosophy, North Tehran Branch, Islamic Azad University, Tehran, IranTo achieve the common origin of "I" and nature, Schelling takes a new approach to the philosophy of nature; demonstrating the falsity of dualism between "I" and nature and showing how nature cannot be reduced to a mechanistic series of causes and effects. By integrating Leibniz's principle of inner purposiveness, Spinoza's monism, and the Kantian concept of teleology, he interprets an organic idea of nature as a totality and founds "I" on the ground of this organic nature. Schelling turns to Leibniz's vitalistic philosophy for presents a self-organizing scheme of nature, and he uses the intensive doctrine of substance to overcome the dualism of modern philosophy. In this view, the parts are to be deduced, in a purely analytic way from the whole, and each unit must include an infinite plurality, so the difference between subject and object is in degree, not in type; Nature is all alive, and no real object is entirely inorganic but is only in a lower degree of organic. In Schilling's point of view, the highest degree of organization of the infinite is the creativity of the artist, who is the culmination of all the organic forces of nature. The main question of this essay is about the fundamental role of Schelling's organic interpretation in his aesthetic essence. in this regard, while the impact of Leibniz's vitalistic approach is analyzed, the reinforcement of the activity of "I" in Schilling's system of thought is examined.https://philosophy.tabrizu.ac.ir/article_12904_1b0d752139f6f2a12645ffe83117ae10.pdfschellingiorganic natureleibnizspinoza |
| spellingShingle | Roxana Riahi Ali Moradkhani Mohammad Shokri Explaining the relationship between art and nature in Schelling's philosophy Journal of Philosophical Investigations schelling i organic nature leibniz spinoza |
| title | Explaining the relationship between art and nature in Schelling's philosophy |
| title_full | Explaining the relationship between art and nature in Schelling's philosophy |
| title_fullStr | Explaining the relationship between art and nature in Schelling's philosophy |
| title_full_unstemmed | Explaining the relationship between art and nature in Schelling's philosophy |
| title_short | Explaining the relationship between art and nature in Schelling's philosophy |
| title_sort | explaining the relationship between art and nature in schelling s philosophy |
| topic | schelling i organic nature leibniz spinoza |
| url | https://philosophy.tabrizu.ac.ir/article_12904_1b0d752139f6f2a12645ffe83117ae10.pdf |
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