PENSAR LA MORAL DESDE LA BELLEZA: UNA LECTURA DEL PARÁGRAFO CINCUENTA Y NUEVE DE LA Kritik der Urteilskraft

My aim in this article is to study the role of beauty as symbol of morality within Kant’s Kritik der Urteilskraft. First, I draw a comparison between the schematism of concepts and the process of analogous reasoning. I sustain that analogous and symbolic reasoning leads in Kant to a consideration of...

Full description

Bibliographic Details
Main Author: Eduardo Charpenel Elorduy
Format: Article
Language:Spanish
Published: Universidad Panamericana 2013-11-01
Series:Tópicos
Subjects:
Online Access:http://topicosojs.up.edu.mx/ojs/index.php/topicos/article/view/78
Description
Summary:My aim in this article is to study the role of beauty as symbol of morality within Kant’s Kritik der Urteilskraft. First, I draw a comparison between the schematism of concepts and the process of analogous reasoning. I sustain that analogous and symbolic reasoning leads in Kant to a consideration of the objects under the conditions set by the reflective agent himself: the thesis that I will prove thereby is that symbolic objects serve one’s own purposes of reflection on a given topic. I proceed then to explain why Kant considers that beauty is an adequate symbol of morality on account of the existence of an interesting number of similarities between the aesthetical and the moral realms. Lastly, I clarify why only freedom can be exhibited by means of a symbol in Kantian aesthetics, and why the other two ideas of reason —namely God and the soul— are much more associated with the experience of the sublime.
ISSN:0188-6649
2007-8498