Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)

This essay reassesses the political significance of the creative impulses, performance aesthetics and artistic work that became identified collectively as música popular black, and their contribution to the anti-racist cause in Brazil during the 1964-85 dictatorship.  It reevaluates how the state or...

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Main Author: David Treece
Format: Article
Language:English
Published: Aarhus University 2022-02-01
Series:Brasiliana: Journal for Brazilian Studies
Subjects:
Online Access:https://tidsskrift.dk/bras/article/view/128090
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author David Treece
author_facet David Treece
author_sort David Treece
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description This essay reassesses the political significance of the creative impulses, performance aesthetics and artistic work that became identified collectively as música popular black, and their contribution to the anti-racist cause in Brazil during the 1964-85 dictatorship.  It reevaluates how the state orthodoxy of racial nationalism and denialism was challenged, not merely in the adoption of the soul aesthetic as a marker of diasporic identification with US blackness, but in the cumulative emergence of an autonomous anti-racist consciousness and voice for Afro-Brazilians within their own musical and social world. This was expressed, not only in a body of powerfully explicit anti-racist statements but also in a creolized, cosmopolitan idiom of vocal and performative style that connected local artists and the Black Rio dance scene, and that contributed to the building of a Black public sphere, leaving a potent legacy for the musical and political movements of the 1980s, 1990s and beyond.
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spelling doaj.art-dae06fb6661b492d8551a91a4dcc476f2022-12-22T02:39:08ZengAarhus UniversityBrasiliana: Journal for Brazilian Studies2245-43732022-02-0110210.25160/bjbs.v10i2.128090121278Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)David Treece0King's College LondonThis essay reassesses the political significance of the creative impulses, performance aesthetics and artistic work that became identified collectively as música popular black, and their contribution to the anti-racist cause in Brazil during the 1964-85 dictatorship.  It reevaluates how the state orthodoxy of racial nationalism and denialism was challenged, not merely in the adoption of the soul aesthetic as a marker of diasporic identification with US blackness, but in the cumulative emergence of an autonomous anti-racist consciousness and voice for Afro-Brazilians within their own musical and social world. This was expressed, not only in a body of powerfully explicit anti-racist statements but also in a creolized, cosmopolitan idiom of vocal and performative style that connected local artists and the Black Rio dance scene, and that contributed to the building of a Black public sphere, leaving a potent legacy for the musical and political movements of the 1980s, 1990s and beyond.https://tidsskrift.dk/bras/article/view/128090brazilsoulblackanti-racismmusiccreolizationrio de janeirojazzr&bsamba
spellingShingle David Treece
Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)
Brasiliana: Journal for Brazilian Studies
brazil
soul
black
anti-racism
music
creolization
rio de janeiro
jazz
r&b
samba
title Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)
title_full Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)
title_fullStr Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)
title_full_unstemmed Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)
title_short Música Popular Black and anti-racist struggles: musical cosmopolitanism and the soul aesthetic in Brazil (1963-1978)
title_sort musica popular black and anti racist struggles musical cosmopolitanism and the soul aesthetic in brazil 1963 1978
topic brazil
soul
black
anti-racism
music
creolization
rio de janeiro
jazz
r&b
samba
url https://tidsskrift.dk/bras/article/view/128090
work_keys_str_mv AT davidtreece musicapopularblackandantiraciststrugglesmusicalcosmopolitanismandthesoulaestheticinbrazil19631978