Text, Hypertext, and Hyperfiction

This article briefly surveys the changing theoretical perspectives on text from structuralism to poststructuralism and how they are subsequently accounted for by hypertext theorists to comprehend the emerging genre called hypertext fiction. Some theoretical issues concerning the reading of this genr...

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Main Authors: Ladan Modir, Ling C Guan, Sohaimi Bin Abdul Aziz
Format: Article
Language:English
Published: SAGE Publishing 2014-03-01
Series:SAGE Open
Online Access:https://doi.org/10.1177/2158244014528915
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author Ladan Modir
Ling C Guan
Sohaimi Bin Abdul Aziz
author_facet Ladan Modir
Ling C Guan
Sohaimi Bin Abdul Aziz
author_sort Ladan Modir
collection DOAJ
description This article briefly surveys the changing theoretical perspectives on text from structuralism to poststructuralism and how they are subsequently accounted for by hypertext theorists to comprehend the emerging genre called hypertext fiction. Some theoretical issues concerning the reading of this genre also will be discussed. The purpose of this study is to illustrate that the radical promises and challenges of digital novels to readers would prove reading and interpretation of conventional texts are far more participatory. This will be accomplished by tracing the evolution of poststructuralists’ concepts of intertextuality, multivocality, decentering, multilinearity, disorientation, and interactivity to find a way out of constant notions of conventional principles of reading.
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spelling doaj.art-db543d1f8cf94075bd651288094e2f492022-12-21T22:44:08ZengSAGE PublishingSAGE Open2158-24402014-03-01410.1177/215824401452891510.1177_2158244014528915Text, Hypertext, and HyperfictionLadan Modir0Ling C Guan1Sohaimi Bin Abdul Aziz2University Science Malaysia, Pulau Penang, MalaysiaUniversity Science Malaysia, Pulau Penang, MalaysiaUniversity Science Malaysia, Pulau Penang, MalaysiaThis article briefly surveys the changing theoretical perspectives on text from structuralism to poststructuralism and how they are subsequently accounted for by hypertext theorists to comprehend the emerging genre called hypertext fiction. Some theoretical issues concerning the reading of this genre also will be discussed. The purpose of this study is to illustrate that the radical promises and challenges of digital novels to readers would prove reading and interpretation of conventional texts are far more participatory. This will be accomplished by tracing the evolution of poststructuralists’ concepts of intertextuality, multivocality, decentering, multilinearity, disorientation, and interactivity to find a way out of constant notions of conventional principles of reading.https://doi.org/10.1177/2158244014528915
spellingShingle Ladan Modir
Ling C Guan
Sohaimi Bin Abdul Aziz
Text, Hypertext, and Hyperfiction
SAGE Open
title Text, Hypertext, and Hyperfiction
title_full Text, Hypertext, and Hyperfiction
title_fullStr Text, Hypertext, and Hyperfiction
title_full_unstemmed Text, Hypertext, and Hyperfiction
title_short Text, Hypertext, and Hyperfiction
title_sort text hypertext and hyperfiction
url https://doi.org/10.1177/2158244014528915
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AT sohaimibinabdulaziz texthypertextandhyperfiction