0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat"
This paper focuses on Caspar von Zumbusch, who was one of the leading sculptors of the second half of the 19th century in Vienna. At the initiative of the art historian Rudolf Eitelberger, the German sculptor was appointed to the Academy of Fine Arts (Akademie der bildenden Künste) in Vienna in 1873...
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| Format: | Article |
| Language: | deu |
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International Association of Research Institutes in the History of Art (RIHA)
2021-07-01
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| Series: | RIHA Journal |
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| Online Access: | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/81893 |
| _version_ | 1797427531828166656 |
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| author | Caroline Mang |
| author_facet | Caroline Mang |
| author_sort | Caroline Mang |
| collection | DOAJ |
| description | This paper focuses on Caspar von Zumbusch, who was one of the leading sculptors of the second half of the 19th century in Vienna. At the initiative of the art historian Rudolf Eitelberger, the German sculptor was appointed to the Academy of Fine Arts (Akademie der bildenden Künste) in Vienna in 1873 and became the founder of the so-called Vienna school of monumental sculpture. By means of a statistical analysis of the matriculation books that serve as reliable documentation of the students enrolled in the Academy, the number and origin of Zumbusch’s students can be determined for the first time. The results show that Zumbusch taught numerous students from all over the Austro-Hungarian Empire, which made the Vienna Academy the preeminent centre for sculptors in the Dual Monarchy. Once the students had graduated, Zumbusch recommended them for projects and thereby established a large network of sculptors across the Austro-Hungarian Empire towards the end of the 19th century. |
| first_indexed | 2024-03-09T08:46:16Z |
| format | Article |
| id | doaj.art-db7a83c861cc41df9a296a5ad0f14a90 |
| institution | Directory Open Access Journal |
| issn | 2190-3328 |
| language | deu |
| last_indexed | 2024-03-09T08:46:16Z |
| publishDate | 2021-07-01 |
| publisher | International Association of Research Institutes in the History of Art (RIHA) |
| record_format | Article |
| series | RIHA Journal |
| spelling | doaj.art-db7a83c861cc41df9a296a5ad0f14a902023-12-02T15:32:42ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282021-07-0110.11588/riha.2021.1.818931344520263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat"Caroline MangThis paper focuses on Caspar von Zumbusch, who was one of the leading sculptors of the second half of the 19th century in Vienna. At the initiative of the art historian Rudolf Eitelberger, the German sculptor was appointed to the Academy of Fine Arts (Akademie der bildenden Künste) in Vienna in 1873 and became the founder of the so-called Vienna school of monumental sculpture. By means of a statistical analysis of the matriculation books that serve as reliable documentation of the students enrolled in the Academy, the number and origin of Zumbusch’s students can be determined for the first time. The results show that Zumbusch taught numerous students from all over the Austro-Hungarian Empire, which made the Vienna Academy the preeminent centre for sculptors in the Dual Monarchy. Once the students had graduated, Zumbusch recommended them for projects and thereby established a large network of sculptors across the Austro-Hungarian Empire towards the end of the 19th century.https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/81893caspar von zumbuschrudolf eitelbergervienna academy of fine artsacademy reform 1872'spezialschule für bildhauer'carl kundmannstudents |
| spellingShingle | Caroline Mang 0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat" RIHA Journal caspar von zumbusch rudolf eitelberger vienna academy of fine arts academy reform 1872 'spezialschule für bildhauer' carl kundmann students |
| title | 0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat" |
| title_full | 0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat" |
| title_fullStr | 0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat" |
| title_full_unstemmed | 0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat" |
| title_short | 0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat" |
| title_sort | 0263 denn gerade wien ist der ort wo die schule der monumentalen plastik den geeigneten boden hat |
| topic | caspar von zumbusch rudolf eitelberger vienna academy of fine arts academy reform 1872 'spezialschule für bildhauer' carl kundmann students |
| url | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/81893 |
| work_keys_str_mv | AT carolinemang 0263denngeradewienistderortwodieschuledermonumentalenplastikdengeeignetenbodenhat |