Re-Locating the Spectator – The Squat Theater’s Use of Media and Space
Based on the concepts of intermediality (Balme, Boenisch and Kattenbelt) and heterotopy (Foucault), my paper investigates the special features of the New York-based Squat Theater: their use of media and space. Focusing mostly on their second major, New York-performance, “Andy Warhol’s Last Love” (19...
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| Format: | Article |
| Language: | English |
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UArtPres
2020-08-01
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| Series: | Symbolon |
| Subjects: | |
| Online Access: | http://uartpress.ro/journals/index.php/symbolon/article/view/105 |
| _version_ | 1797947991808540672 |
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| author | Zoltán Imre |
| author_facet | Zoltán Imre |
| author_sort | Zoltán Imre |
| collection | DOAJ |
| description | Based on the concepts of intermediality (Balme, Boenisch and Kattenbelt) and heterotopy (Foucault), my paper investigates the special features of the New York-based Squat Theater: their use of media and space. Focusing mostly on their second major, New York-performance, “Andy Warhol’s Last Love” (1978), I would like to analyze how they created a liminal zone (Turner) in-between times and spaces, which re-located the spectators’ position and re-interpreted their function. |
| first_indexed | 2024-04-10T21:36:25Z |
| format | Article |
| id | doaj.art-db7ce7b5de40449cb5882b2a79fe550e |
| institution | Directory Open Access Journal |
| issn | 1582-327X 2344-4460 |
| language | English |
| last_indexed | 2024-04-10T21:36:25Z |
| publishDate | 2020-08-01 |
| publisher | UArtPres |
| record_format | Article |
| series | Symbolon |
| spelling | doaj.art-db7ce7b5de40449cb5882b2a79fe550e2023-01-19T11:52:22ZengUArtPresSymbolon1582-327X2344-44602020-08-01172(31)5060105Re-Locating the Spectator – The Squat Theater’s Use of Media and SpaceZoltán Imre0Eötvös Lóránd University of Sciences, BudapestBased on the concepts of intermediality (Balme, Boenisch and Kattenbelt) and heterotopy (Foucault), my paper investigates the special features of the New York-based Squat Theater: their use of media and space. Focusing mostly on their second major, New York-performance, “Andy Warhol’s Last Love” (1978), I would like to analyze how they created a liminal zone (Turner) in-between times and spaces, which re-located the spectators’ position and re-interpreted their function.http://uartpress.ro/journals/index.php/symbolon/article/view/105theatresquat theater |
| spellingShingle | Zoltán Imre Re-Locating the Spectator – The Squat Theater’s Use of Media and Space Symbolon theatre squat theater |
| title | Re-Locating the Spectator – The Squat Theater’s Use of Media and Space |
| title_full | Re-Locating the Spectator – The Squat Theater’s Use of Media and Space |
| title_fullStr | Re-Locating the Spectator – The Squat Theater’s Use of Media and Space |
| title_full_unstemmed | Re-Locating the Spectator – The Squat Theater’s Use of Media and Space |
| title_short | Re-Locating the Spectator – The Squat Theater’s Use of Media and Space |
| title_sort | re locating the spectator the squat theater s use of media and space |
| topic | theatre squat theater |
| url | http://uartpress.ro/journals/index.php/symbolon/article/view/105 |
| work_keys_str_mv | AT zoltanimre relocatingthespectatorthesquattheatersuseofmediaandspace |