Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton

Since the 1980s, indigenous authors have had a high profile in Australia and their writing has made a significant impact on the Australian public. Given that poetry has attracted more indigenous Australians than any other mode of creative expression, this genre, too, has provided an important impetu...

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Main Author: Danica Čerče
Format: Article
Language:English
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2010-05-01
Series:ELOPE
Subjects:
Online Access:https://journals.uni-lj.si/elope/article/view/3245
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author Danica Čerče
author_facet Danica Čerče
author_sort Danica Čerče
collection DOAJ
description Since the 1980s, indigenous authors have had a high profile in Australia and their writing has made a significant impact on the Australian public. Given that poetry has attracted more indigenous Australians than any other mode of creative expression, this genre, too, has provided an important impetus for their cultural and political expression. Discussing the verse of Romaine Moreton, and taking up George Levine’s view (2000) that works of art are able to produce critical disruptions and generate alternative worlds, the article aims to show that Moreton’s mesmerising reflections on origin, dispossession, dislocation and identity of Australian indigenous peoples encouraged national self-reflection and helped create a meaningful existence for the deprived and the dispossessed. It also touches upon some other topics explored in Moreton’s poetry and provides evidence of its universal relevance.
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spelling doaj.art-dba7ef5421b7486ca8bb175ca97d95162023-01-18T09:33:25ZengUniversity of Ljubljana Press (Založba Univerze v Ljubljani)ELOPE1581-89182386-03162010-05-017110.4312/elope.7.1.49-59Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine MoretonDanica Čerče0University of LjubljanaSince the 1980s, indigenous authors have had a high profile in Australia and their writing has made a significant impact on the Australian public. Given that poetry has attracted more indigenous Australians than any other mode of creative expression, this genre, too, has provided an important impetus for their cultural and political expression. Discussing the verse of Romaine Moreton, and taking up George Levine’s view (2000) that works of art are able to produce critical disruptions and generate alternative worlds, the article aims to show that Moreton’s mesmerising reflections on origin, dispossession, dislocation and identity of Australian indigenous peoples encouraged national self-reflection and helped create a meaningful existence for the deprived and the dispossessed. It also touches upon some other topics explored in Moreton’s poetry and provides evidence of its universal relevance.https://journals.uni-lj.si/elope/article/view/3245Australiaindigenous literatureprotest poetryinter-cultural communicationRomaine MoretonThe Callused Stick of Wanting
spellingShingle Danica Čerče
Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton
ELOPE
Australia
indigenous literature
protest poetry
inter-cultural communication
Romaine Moreton
The Callused Stick of Wanting
title Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton
title_full Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton
title_fullStr Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton
title_full_unstemmed Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton
title_short Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton
title_sort generating alternative worlds the indigenous protest poetry of romaine moreton
topic Australia
indigenous literature
protest poetry
inter-cultural communication
Romaine Moreton
The Callused Stick of Wanting
url https://journals.uni-lj.si/elope/article/view/3245
work_keys_str_mv AT danicacerce generatingalternativeworldstheindigenousprotestpoetryofromainemoreton