Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero
From 1946 to 1962, the producers’ share of the rentals of US films in Italy was blocked in Italy. The specific use-cases of these funds – both in the film industry and in other sectors – were codified in a series of agreements which involved both governments. For the first time, all six understandi...
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| Format: | Article |
| Language: | Italian |
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Università degli Studi di Milano
2022-12-01
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| Series: | Schermi |
| Online Access: | https://riviste.unimi.it/index.php/schermi/article/view/19032 |
| _version_ | 1797317019755872256 |
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| author | Federico Di Chio |
| author_facet | Federico Di Chio |
| author_sort | Federico Di Chio |
| collection | DOAJ |
| description |
From 1946 to 1962, the producers’ share of the rentals of US films in Italy was blocked in Italy. The specific use-cases of these funds – both in the film industry and in other sectors – were codified in a series of agreements which involved both governments. For the first
time, all six understandings between the trade organizations ANICA and MPAA/MPEA are studied in detail. Based on archival research, the article reconstructs their development and implementation. The agreements, which regulated Italian-American film relations from
1951 until 1962, promoted joint productions and supported the distribution of Italian films by US Studios.
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| first_indexed | 2024-03-08T03:26:51Z |
| format | Article |
| id | doaj.art-dbdd9ef7a09c4e49b67c8ecb9aaa5f41 |
| institution | Directory Open Access Journal |
| issn | 2532-2486 |
| language | Italian |
| last_indexed | 2024-03-08T03:26:51Z |
| publishDate | 2022-12-01 |
| publisher | Università degli Studi di Milano |
| record_format | Article |
| series | Schermi |
| spelling | doaj.art-dbdd9ef7a09c4e49b67c8ecb9aaa5f412024-02-11T18:43:30ZitaUniversità degli Studi di MilanoSchermi2532-24862022-12-0161210.54103/2532-2486/19032Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero Federico Di Chio0Università Cattolica del Sacro Cuore From 1946 to 1962, the producers’ share of the rentals of US films in Italy was blocked in Italy. The specific use-cases of these funds – both in the film industry and in other sectors – were codified in a series of agreements which involved both governments. For the first time, all six understandings between the trade organizations ANICA and MPAA/MPEA are studied in detail. Based on archival research, the article reconstructs their development and implementation. The agreements, which regulated Italian-American film relations from 1951 until 1962, promoted joint productions and supported the distribution of Italian films by US Studios. https://riviste.unimi.it/index.php/schermi/article/view/19032 |
| spellingShingle | Federico Di Chio Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero Schermi |
| title | Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero |
| title_full | Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero |
| title_fullStr | Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero |
| title_full_unstemmed | Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero |
| title_short | Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero |
| title_sort | gli accordi anica mpea e l impiego dei capitali americani nel nostro cinema parte 1 i primi due accordi e la promozione del cinema italiano all estero |
| url | https://riviste.unimi.it/index.php/schermi/article/view/19032 |
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