Reconstructing a late Archaic-period Dionysian ship cart

The Greek deity Dionysos had a particular affinity for war galleys, a relationship perhaps explained by the Homeric Hymn to Dionysos in which Tyrsenian pirates kidnap him on their galley. Soon grape vines entangle the rigging and some of the pirates attempt to escape their fate by jumping into the s...

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Main Authors: Wachsmann Shelley, Sanders Donald H.
Format: Article
Language:English
Published: Faculty of Philosophy, Kosovska Mitrovica 2023-01-01
Series:Zbornik Radova Filozofskog Fakulteta u Prištini
Subjects:
Online Access:https://scindeks-clanci.ceon.rs/data/pdf/0354-3293/2023/0354-32932303135W.pdf
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author Wachsmann Shelley
Sanders Donald H.
author_facet Wachsmann Shelley
Sanders Donald H.
author_sort Wachsmann Shelley
collection DOAJ
description The Greek deity Dionysos had a particular affinity for war galleys, a relationship perhaps explained by the Homeric Hymn to Dionysos in which Tyrsenian pirates kidnap him on their galley. Soon grape vines entangle the rigging and some of the pirates attempt to escape their fate by jumping into the sea: Dionysos transforms them into dolphins. This hymn served as an occasional motif in pagan art and may explain the miniaturized replicas of seagoing oared ships that played an integral role in the ancient Dionysian cult. These flimsy Dionysian ship carts moved overland in parades, either on wheels or upon the shoulders of celebrants. While the earliest examples may date to the Late Bronze Age, they are best known from a series of three late Archaic-period representations on black-figure skyphoi, now in museums in Athens, Bologna and London. No two Archaic-period Dionysian ship-cart representations are identical in all details. While perhaps due to painters' whims, this diversity in appearance may reflect changes to the ship carts at each annual appearance, analogous to modern-day parade floats. Due to the two-dimensional nature of these ship-cart images, it is impossible today to determine whether the Dionysian ship carts reflected in them consisted of actual vessels-purpose-built and placed on wagons during the procession, employed solely for the Dionysian celebrations-or floats in the form of miniaturized galleys. This paper supplies context and explains the process of creating a three-dimensional digital reconstruction of a generic Late Archaic-period Dionysian ship cart employing contemporaneous imagery and artifacts.
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spelling doaj.art-dc11d01df5f14d9482c390fb1abc73e52023-12-11T17:43:24ZengFaculty of Philosophy, Kosovska MitrovicaZbornik Radova Filozofskog Fakulteta u Prištini0354-32932217-80822023-01-0153313516910.5937/zrffp53-453890354-32932303135WReconstructing a late Archaic-period Dionysian ship cartWachsmann Shelley0Sanders Donald H.1Texas A&M University, College of Arts & Sciences, Anthropology / Nautical Archaeology Program & Institute of Nautical Archaeology (INA), College Station, Texas, USAInstitute for the Visualization of History, Inc., Williamstown, Massachusetts, USAThe Greek deity Dionysos had a particular affinity for war galleys, a relationship perhaps explained by the Homeric Hymn to Dionysos in which Tyrsenian pirates kidnap him on their galley. Soon grape vines entangle the rigging and some of the pirates attempt to escape their fate by jumping into the sea: Dionysos transforms them into dolphins. This hymn served as an occasional motif in pagan art and may explain the miniaturized replicas of seagoing oared ships that played an integral role in the ancient Dionysian cult. These flimsy Dionysian ship carts moved overland in parades, either on wheels or upon the shoulders of celebrants. While the earliest examples may date to the Late Bronze Age, they are best known from a series of three late Archaic-period representations on black-figure skyphoi, now in museums in Athens, Bologna and London. No two Archaic-period Dionysian ship-cart representations are identical in all details. While perhaps due to painters' whims, this diversity in appearance may reflect changes to the ship carts at each annual appearance, analogous to modern-day parade floats. Due to the two-dimensional nature of these ship-cart images, it is impossible today to determine whether the Dionysian ship carts reflected in them consisted of actual vessels-purpose-built and placed on wagons during the procession, employed solely for the Dionysian celebrations-or floats in the form of miniaturized galleys. This paper supplies context and explains the process of creating a three-dimensional digital reconstruction of a generic Late Archaic-period Dionysian ship cart employing contemporaneous imagery and artifacts.https://scindeks-clanci.ceon.rs/data/pdf/0354-3293/2023/0354-32932303135W.pdfbacchuscultdigital archaeologydionysosnautical archaeologyship cartskyphoivirtual heritagevirtual reality3d modeling
spellingShingle Wachsmann Shelley
Sanders Donald H.
Reconstructing a late Archaic-period Dionysian ship cart
Zbornik Radova Filozofskog Fakulteta u Prištini
bacchus
cult
digital archaeology
dionysos
nautical archaeology
ship cart
skyphoi
virtual heritage
virtual reality
3d modeling
title Reconstructing a late Archaic-period Dionysian ship cart
title_full Reconstructing a late Archaic-period Dionysian ship cart
title_fullStr Reconstructing a late Archaic-period Dionysian ship cart
title_full_unstemmed Reconstructing a late Archaic-period Dionysian ship cart
title_short Reconstructing a late Archaic-period Dionysian ship cart
title_sort reconstructing a late archaic period dionysian ship cart
topic bacchus
cult
digital archaeology
dionysos
nautical archaeology
ship cart
skyphoi
virtual heritage
virtual reality
3d modeling
url https://scindeks-clanci.ceon.rs/data/pdf/0354-3293/2023/0354-32932303135W.pdf
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