L’empreinte du théâtre dans la conscience globale
The Imprint of the Theater in the Global Consciousness By observing the painting of the eighteenth century, we are witnessing, so to speak, a pictorial earthquake: on the one hand, the neo-classicism that follows the model of classical antiquity in search of a simple, sober, capable style to conv...
Main Author: | Maria Orquídea Leite de Faria Borges-Bispo |
---|---|
Format: | Article |
Language: | English |
Published: |
UArtPres
2018-12-01
|
Series: | Symbolon |
Subjects: | |
Online Access: | http://uartpress.ro/journals/index.php/symbolon/article/view/14 |
Similar Items
-
L’empreinte du calque
by: Paolo Bellomo
Published: (2019-02-01) -
L’empreinte à Crusoé di Patrick Chamoiseau
by: Vitali, Anna
Published: (2015-12-01) -
L’empreinte communiste dans la société française (1920-2010)
by: Marco Di Maggio
Published: (2010-07-01) -
Du lieu au lieu dessiné : de l’inscription à l’empreinte
by: Nancy Lamontagne
Published: (2011-08-01) -
Lenteur et vision : l’empreinte du western dans le roman français contemporain
by: Elisa Bricco