Habiter la mémoire à la frontière de l’oubli : la maison comme seuil
According to Gaston Bachelard, the house is sometimes our box of souvenirs, sometimes a state of mind. It means that even before becoming a dream figure or an imagined place of our past-future, the house all at once holds and makes possible the process of memory. And because the house reveals intima...
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| Format: | Article |
| Language: | deu |
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Conserveries Mémorielles
2010-04-01
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| Series: | Conserveries Mémorielles |
| Subjects: | |
| Online Access: | http://journals.openedition.org/cm/433 |
| _version_ | 1818246046712594432 |
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| author | Joana Duarte Bernardes |
| author_facet | Joana Duarte Bernardes |
| author_sort | Joana Duarte Bernardes |
| collection | DOAJ |
| description | According to Gaston Bachelard, the house is sometimes our box of souvenirs, sometimes a state of mind. It means that even before becoming a dream figure or an imagined place of our past-future, the house all at once holds and makes possible the process of memory. And because the house reveals intimacy, either to exterior elements or to interior details, it always is an actor of the present. While enclosing a personal and familiar universe, it exhibits at the same time procedures of opening: the house draws a line from itself to the others, between the group and the multitude. With its walls, its windows and its doors, the house opens to dialogue. The door, for example, opens for the welcomed friend and closes for the enemy. It makes the house at the same time the place of hospitality and of hostility. Finally, the house includes the threshold, a distinctive mark of the semantic whole of the house because it is the corridor one crosses in order to enter the house and to leave it. Always beginning and end, the threshold surpasses the duplicity of Janus by confronting the two faces, as if identity could not see without alterity. The object of this text is to elucidate the role of the house as a guardian of our memories in front of which the threshold signifies an ambiguity that is not always pacific, be it from the perspective of the inhabitant, or from the perspective of the one who knocks on the door: guest, enemy or intruder. |
| first_indexed | 2024-12-12T14:42:35Z |
| format | Article |
| id | doaj.art-dc89911adafb49e58556fe68324bbc55 |
| institution | Directory Open Access Journal |
| issn | 1718-5556 |
| language | deu |
| last_indexed | 2024-12-12T14:42:35Z |
| publishDate | 2010-04-01 |
| publisher | Conserveries Mémorielles |
| record_format | Article |
| series | Conserveries Mémorielles |
| spelling | doaj.art-dc89911adafb49e58556fe68324bbc552022-12-22T00:21:12ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562010-04-017Habiter la mémoire à la frontière de l’oubli : la maison comme seuilJoana Duarte BernardesAccording to Gaston Bachelard, the house is sometimes our box of souvenirs, sometimes a state of mind. It means that even before becoming a dream figure or an imagined place of our past-future, the house all at once holds and makes possible the process of memory. And because the house reveals intimacy, either to exterior elements or to interior details, it always is an actor of the present. While enclosing a personal and familiar universe, it exhibits at the same time procedures of opening: the house draws a line from itself to the others, between the group and the multitude. With its walls, its windows and its doors, the house opens to dialogue. The door, for example, opens for the welcomed friend and closes for the enemy. It makes the house at the same time the place of hospitality and of hostility. Finally, the house includes the threshold, a distinctive mark of the semantic whole of the house because it is the corridor one crosses in order to enter the house and to leave it. Always beginning and end, the threshold surpasses the duplicity of Janus by confronting the two faces, as if identity could not see without alterity. The object of this text is to elucidate the role of the house as a guardian of our memories in front of which the threshold signifies an ambiguity that is not always pacific, be it from the perspective of the inhabitant, or from the perspective of the one who knocks on the door: guest, enemy or intruder.http://journals.openedition.org/cm/433housememorymythologynarrativesouvenir |
| spellingShingle | Joana Duarte Bernardes Habiter la mémoire à la frontière de l’oubli : la maison comme seuil Conserveries Mémorielles house memory mythology narrative souvenir |
| title | Habiter la mémoire à la frontière de l’oubli : la maison comme seuil |
| title_full | Habiter la mémoire à la frontière de l’oubli : la maison comme seuil |
| title_fullStr | Habiter la mémoire à la frontière de l’oubli : la maison comme seuil |
| title_full_unstemmed | Habiter la mémoire à la frontière de l’oubli : la maison comme seuil |
| title_short | Habiter la mémoire à la frontière de l’oubli : la maison comme seuil |
| title_sort | habiter la memoire a la frontiere de l oubli la maison comme seuil |
| topic | house memory mythology narrative souvenir |
| url | http://journals.openedition.org/cm/433 |
| work_keys_str_mv | AT joanaduartebernardes habiterlamemoirealafrontieredeloublilamaisoncommeseuil |